Sacred Music for Woodwinds

Piae Cantiones, published in 1582, is a collection of late medieval sacred and secular songs begging to be given performance, either as written, or perhaps in new settings. Three sacred tunes in

"Joyful" is the best term to describe this animated woodwind quintet arrangement. All five parts are exciting to play, with prominent flute and horn parts. This work is an accessible and fresh take on the

In 1609, Michael Praetorius harmonized the version of Lo, How a Rose E'er Blooming with which most of us are familiar. His contemporary, Melchior Vulpius, created a four-voice canon on the same

Works for English horn and organ are rare, yet the combination is well suited to share this early-American pentatonic tune by Lowell Mason. Occasional unique harmonies are mixed into this calming and

Perhaps the most beautiful of Johann Sebastian Bach's melodies, Come, Sweet Death has been transcribed for clarinet quartet reflecting performance interpretations created by organist, Virgil Fox,

Perhaps the most beautiful of Johann Sebastian Bach's melodies, Come, Sweet Death has been transcribed for clarinet choir reflecting performance interpretations created by organist, Virgil Fox, and

This inspirational collection of ten classic hymns arranged for C and/or B-flat instrumental duets will provide just the right message of faith when a special musical moment is needed during worship

The tune is an English melody dating from the late sixteenth century. The Coventry Carol lyrics describe what is known in Matthew's biblical accounts as the 'slaughter of the innocents.' The

Away in a Manger is found in several unique musical settings. Among them, three are utilized in this medley: Cradle Song, Old Normandy Carol, and Mueller. Old

Taken from Piae Cantiones (1582), Divinum Mysterium is the name of the medieval chant melody which accompanies the hymn Of the Father's Love Begotten. Piae Cantiones is a

This acclaimed instrumental solo series has been enthusiastically embraced by skilled instrumentalists seeking resources for worship and concert. Each masterful arrangement reflects a distinctive blend of

Do not let the slow start to this piece deceive you! Containing many contrasting sections, this work is a medley of O Come, O Come, Emmanuel (Veni Emmanuel); Of the Father's Love Begotten

Seven familiar hymns are tastefully arranged and edited for treble instrument and piano. These pieces may be played by flute, oboe, clarinet, or violin, with piano accompaniment. The part includes music for

In Dulco Jubilo translates into English as "In Sweet Rejoicing." This arrangement takes instruction not only from its title, but the folklore story of its creation as well. The tune is attributed

This is a sweet and introspective set, including: In the Garden; Love Divine, All Loves Excelling; Near the Cross; O Jesus, I Have Promised and Savior, Like a Shepherd Lead Us.  These

The Holst setting of Christina Rossetti's poem In the Bleak Midwinter is the basis for this moody work for clarinet and piano, largely inspired by the poem's first verse that speaks of the cold

Contemplative and expressive, these non-hymn-based original preludes are intended for use as quiet, meditative music. Useful for many places in the worship service as well as for concerts. Contents:

Here's a jazzy, R&B influenced treatment of a beloved spiritual. There are optional ad-lib solos for tenor and alto sax. For AATB or SATB saxophone quartet.

This delightful and musically sensitive arrangement of one of the oldest and most familiar Christmas carols is a welcome addition to the clarinet repertoire. Suitable to play in both concert and church

Imagine the mood of an ancient people endlessly waiting for the appearance of a promised Messiah. In this setting, the score attempts to paint that sense of longing. Though the Veni Emmanuel tune was first