Perhaps the most beautiful of Johann Sebastian Bach's melodies, Come, Sweet Death has been transcribed for clarinet choir reflecting performance interpretations created by organist, Virgil Fox, and conductor/orchestrator, Leopold Stokowski. Technical demands are slight, but effective performances demand slow tempo, good breath support, and accurate intonation.  All parts can be doubled, and an optional B-flat Clarinet 4 part is provided in the event an Alto Clarinet is unavailable.