The monodrama Ahab is the third that Hall has created with librettist Caitlin Vincent. This ten-minute work takes an imaginary approach to the final moments in the life of Herman Melville's

A song cycle from Cipullo's Songs for Baritone, Volume 1. Titles include: Monet's Waterlilies; Hey Nonny No; The Point (Stonington, Connecticut); The Whipping; Those Winter Sundays; Frederick

Excerpted from the ten-movement, 30-minute work "Insomnia," this stand-alone art song for baritone and piano is also included in Cipullo's collection Songs for Baritone, Volume 2.

A set of songs for baritone and piano included in Cipullo's collection Songs for Baritone, Volume 2 and based on the poetry of Linda Pastan. Titles include: blizzard; The Almanac of Last

A set of songs from Tom Cipullo for baritone and piano based on the poetry of Dana Gioia. Also included in the collection Songs for Baritone, Volume 2. Titles include: Rough Country; Prayer at

Each song in this collection is dedicated to four singers - friends of the composer. The songs Homecoming and Quilt were commissioned by the West Chester University Poetry Conference (West

Foursquare Cathedral is a setting of five poems from Todd Boss's critically lauded debut volume, Yellowrocket. It was commissioned by Arthur Jacobson and Peninah Petruck for bass-baritone Benjamin

A song cycle from Cipullo's Songs for Baritone, Volume 1. Titles include: Echo; Impossible; Unbroken; Between Verses; A Plea for Mercy; Glance; Echo 2.

Lincoln was commissioned for the Lincoln Symposium, Concord, Massachusetts, in celebration of the bicentennial of Lincoln's birth, February 13, 2009. The string orchestra is scored for

Composed in 1984 and revised in 1993, Of All the Souls That Stand Create for baritone and piano is a setting of a poem by Emily Dickinson. The music features free tonality, a consistently

All three songs from Prayers and Blessings are interconnected motivically, yet distinct in meter, tonality and message. Peace and reverence flow throughout. The version for bass-baritone was

An excerpt from the Western opera "Riders of the Purple Sage" based on the novel by Zane Grey, this aria is scored for baritone and piano.