This humorous selection uses an ostinato pattern throughout much of the music. It is written so that ringers leave during the last section concluding with the last chord played offstage. Optional percussion

This setting of the familiar hymn tune opens with a delicate and unusual harmonic treatment which builds to a full, rich final stanza. An accessible anthem that is a nice "change of pace" selection for

The "King of the Waltz," Johann Strauss, is the source of the delightful tunes found in this medley. This piece is ideal for festival or concert.

The sound of tower bells threads itself through this arrangement of the traditional English carol. Echos and staccato technique are used throughout to accompany the melody. A full ending gives the effect of

This concert classic, Capriccio is defined as "an instrumental piece in free form." Written in 7/8 time, the driving eighth-note accompaniment moves the work along while the melody is more a chordal texture

With shaking and pealing bells, this arrangement introduces the majestic melody of AURELIA. The straightforward, powerful first stanza contrasts with the second stanza that features (optional) handchimes.

Written in the style of the classic prelude, the piece is short (46 measures) and uses several ringing techniques, including TD, SK, plucking and martellatos.

This chordal, majestic and easy-to-ring setting of the well-known hymn features an excellent variety of handbell techniques, including the optional use of handchimes (2-5 octaves) and malleted bells in the