Originally composed for piano, this work is one of ten "Woodland Sketches" by the composer.  The key signature has been adjusted in the interest of minimizing difficulties for brass instruments. The

This beautiful and frequently performed lullaby is thought to be of African American origin. This lovely setting for woodwind quintet is not technically difficult, though because it is soft and slow,

This beautiful and frequently performed lullaby is thought to be of African American origin. This delicate and lush setting for concert band will stretch and showcase your ensemble's... view details

In this arrangement of a classic hymn, the introductory sixteen measures are melody-only. Most parts show cue notes, allowing the conductor to choose any single instrument, or combination of instruments, to

Looking for something fun to play and sure to be a crowd pleaser? This is a historically "American" work, written by a German immigrant composer, and dedicated to an American president. Put this on your

Excerpts from two suites by Edward MacDowell, Sea Pieces and Woodland Sketches, are included in this clarinet choir transcription which can be performed with as few as five players. The

This is the famous Pachelbel Canon... even though it isn't! The music borrows freely from Pachelbel's melodies and infinitely maintains the repeating eight notes of the bass line, but unlike a

This music, borrowed from Choctaw worship, mixes a woodwind quartet with groups of pitched and unpitched percussion. The mallet instruments are backed up with an optional piano part in the event some, or

Perhaps the most beautiful of Johann Sebastian Bach's melodies, Come, Sweet Death has been transcribed for band reflecting performance interpretations created by conductor/orchestrator Leopold

Perhaps the most beautiful of Johann Sebastian Bach's melodies, Come, Sweet Death has been transcribed for clarinet quartet reflecting performance interpretations created by organist, Virgil Fox,

Perhaps the most beautiful of Johann Sebastian Bach's melodies, Come, Sweet Death has been transcribed for clarinet choir reflecting performance interpretations created by organist, Virgil Fox, and

This classic funeral march, rescored for concert band, provides a rewarding musical challenge as well as a deep emotional response from both musicians and audiences. The dramaticism, when tastefully

Numerous transcriptions and arrangements have come from the Fitzwilliam Virginal Book. Though written for the Virginal, a keyboard instrument preceding the Harpsichord, many of the wonderful pieces

Early American folk tunes and composed hymn tunes provide delightful, spirited melodies which offer present-day opportunities for exploration of new harmonies and rhythms. Oliver Holden's hymn

Written for the Charlottesville Horn Club, Fanfare and Frolic is a mixture of the serious and the not-so-serious.... The fanfare is stately in an A-B-A format with the middle section in contrast

Fanfare and Frolic is a mixture of the serious and the not-so-serious.... The fanfare is stately in an A-B-A format with the middle section in contrast, not unlike the trio of a march. The 'Frolic'

Do not let the slow start to this piece deceive you! Containing many contrasting sections, this work is a medley of O Come, O Come, Emmanuel (Veni Emmanuel); Of the Father's Love Begotten

This is an abridged transcription of the Gloria from John Taverner's 1530 mass, "Western Wynde (Wind)," for flexible brass quartet. Parts are provided for two trumpets (the second is a duplicate of the F

An improvisatory work for oboe accompanied by piano, strings, or concert band. The oboe part is identical in all three versions. Technical issues, besides some range demands, are only moderately difficult.

This descriptive work combines the sounds of birds and babbling water in its portrayal of a small country chapel in central Virginia. There are light moments where woodwinds play and times when dark

This lovely carol dates from 15th century Germany. Both words and music are from unknown sources, but Michael Praetorius' harmonization of the carol in 1609 remains virtually unchanged. This arrangement for

This lovely carol dates from 15th century Germany. Both words and music are from unknown sources, but Michael Praetorius' harmonization of the carol in 1609 remains virtually unchanged. This arrangement for

Opera singer Antonina Chehovska described this extremely popular Ukrainian folksong as being so well known it could almost be a second Ukrainian national anthem. This arrangement was inspired by hearing a

This romantic work lends itself to creative interpretation on the part of both soloist and accompanist. It has a singing, pastoral quality that feels almost like a spiritual. The piano often becomes the