Dan Forrest's SATB divisi setting of a poem by the late Jake Adam York is simply stunning! Both the poet and composer were inspired by the old hymn Abide with Me and elements of that
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Perfect for the Advent season and beautifully enhanced by handbells, this anthem incorporates the well-known carols Let All Mortal Flesh Keep Silence and Angels from the Realms of Glory
We welcome Hyun Kook to the Hinshaw catalogue. This advanced setting of the traditional Latin is scored for unaccompanied mixed chorus (soprano divisi) and is taken from a longer Missa
Translated as Who Is Silvia?, this Schubert chamber work for solo voice is now adapted for mixed choir. Text is in German throughout; an English translation is provided in the introductory
Here's a cute original with a great piano accompaniment and an exceptionally imaginative text. This piece is a wonderful addition to the repertoire for young voices!
The traditional text from Song of Songs is skillfully set for divisi a cappella mixed voices. "For lo, the winter is past, and the rain is over and gone..."
There is some divisi in this lovely setting of the beloved Longfellow poem, but it is well within the abilities of many high school a cappella choirs. With beautiful harmonies and accessible ranges, it will
"As the rain hides the stars, as the autumn mist hides the hills..." Here is an exquisite setting of a traditional Gaelic prayer that will enhance the ethereal beauty of your choral sound. As the clouds
This piece explores the theme of hope through a rich homophonic texture, contrasted with a brief solo section in which individual voices punctuate a dissonant background swirling with brief melodies. Rising
This breathtaking 20th-century work has been made famous by international performances of the San Francisco-based ensemble Chanticleer. Conceived in the style of the alternatum plainsong, the composition is
This rhythmically driving Brazilian folk song will make a dynamic statement at your next concert. Filled with handclaps, stomps, chanting, and choreographic cues, this exciting a cappella piece will be a
A traditional Russian folk song melody, set in Russian with a pronunciation guide, transliteration and English translation, with a rollicking four-hand piano accompaniment. This fantastic concert piece
"Let the peace of Christ rule in your hearts as you were called to peace..." This flowing anthem, based on a verse from Colossians, implores your congregation to "clothe yourselves with compassion... with
A simply elegant piece, with a lyrical melody shared between the voice parts. This anthem, scored for SAB chorus with piano and optional violin or flute, promotes the mission and wholeness of the church and
Written for the National Concert Series at Carnegie Hall, this original piece for mixed choir features optional solos, optional body percussion, and a message to be the peace, love and joy you wish to see
This setting of the prayer, "May I know your more clearly, love you more dearly, and follow you more nearly, day by day.' is set to a lyrical melody well fitted to the text yet enhanced by a beautiful
Lively and energetic, the Benedictus begins in unison and expands into a three-part canon, then leads into a fun, rhythmic Sanctus adding djembe and overlapping vocal parts. The piece concludes with a
A setting of an original Arabic poem (pronunciation guide included) by Raneer Sfeir. Composer Favazza sets the Arabic for mixed chorus with divisi and piano with optional horn. Calling for new
Josh Bauder is new to the Hinshaw catalogue. While quite prolific in other catalogues, this first Hinshaw publication is scored for mixed chorus with piano. Focusing on Christ’s gifts at
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A favorite with all-state and regional festivals, this uniquely charming arrangement for choir and piano (four hands) is a choral hoedown just waiting to happen! Add wood block and tambourine, or your own
Caligaverunt Oculi Mei (1585) is the ninth responsory for the matins of Good Friday. Scored for unaccompanied mixed voices, the text combines scriptures from Job and Lamentations as an allegory
A rhythmic ostinato on "la la la la la" is a compelling element of this jazz-influenced original on the traditional Latin text. Appropriate for better high school and university choirs, it will produce a
Giovanni Gabrieli, an Italian composer and organist, was one of the most influential musicians of his time, representing the culmination of the Venetian School. This setting of Psalm 98 is scored for double