Harkening to the Augustinian paradoxes inherent in God becoming a baby, this profound poem is set skillfully by acclaimed composer Richard Nichols. Nichols' tune is appealing and skillfully crafted so that

Beginning with an a cappella statement from "And Can It Be," this Easter anthem segues into the first verse of the Lowry hymn "Christ Arose." The brass wait patiently while the piece builds with keyboard

A warm, easy jazz waltz is used to set this familiar carol in a unique way. The vocal textures add interest, and the piano part contributes a playful element – just wait until the walking bass kicks

This anthem begins with an energetic invitation to join the sounds of celebration in response to the goodness and greatness of God from all His creation! The syncopated rhythms in the opening accompaniment

This modern-day hymn sets a traditional 18th-century text with new music. The stately choral opening contrasts with a flowing a cappella section followed by a majestic organ and optional brass interlude.

Perfect for the Advent season, this piece provides an opportunity for a developing pianist to join the performance with a part that is intentionally simple and can be performed with confidence. The text

The melody of this anthem feels like a folk song, and sounds like one you should already know.  The words are tender and lift a soul-felt offering of praise to God.  Easy to medium in

This majestic Easter anthem has been elevated to dramatic regal status by composer Richard Nichols in this new setting for SATB choir and organ with optional brass and percussion. Accessible for most

Jack Halloran's arrangements are choral gems, and Dick Bolks is a master at taking these challenging divisi a cappella choir settings and crafting them for a standard four-part, SATB mixed choir, with piano

Lloyd Larson put on his most distinguished and regal robes when he composed this piece. Using a text by the revered theologian Thomas Troeger and poet John Oxenham, Larson presents a magnificent theme. The

A captivating setting of Psalm 42 with text adapted by Joseph Martin. Heather Sorenson's choral texture responds to the pastoral imagery with rich harmonies in vocal divisi supported by flowing

"You are the refuge of my soul, You make the wounded whole," begins the chorus. This comforting reminder of God as our refuge is repeated throughout the anthem. This setting reminds us of the joy of having

A grand choral fanfare opens this exciting setting of Rejoice the Lord Is King, accompanied by organ, brass quintet, and timpani, and quoting Purcell's Trumpet Tune. Moving forward, unison

Organ and brass, what a thrilling combination. And this fanfare-anthem uses the forces well. Dramatic and powerful, this anthem is an attention getter from start to finish. A general statement of praise, it

"Though I have been wounded; aching heart, full of pain, still I rise, yes, still I rise..." With its spiritual-like style, this original choral arrangement with solo speaks poignantly of the struggles of

This original piece flows gently and sincerely, making the text all the more poignant. "Despite our tears, despite our fears, despite our differences, you are loved." A powerful learning experience for