VOCES8 Choral Repertoire

Created in response to the COVID-19 pandemic lockdown, this piece was performed by more than 17,000 singers from around the world in Eric Whitacre's Virtual Choir 6. The soft... view details

"Ah, weary wee flipperling, curl at thy ease! The storm shall not wake thee, nor shark overtake thee, asleep in the arms of the slow-swinging seas..." This charming poem by Rudyard Kipling is the

A cry for peace in a world torn by war, this poignant a cappella setting of an original text is filled with striking dynamic contrasts. "Sing, Be, Live, See... This dark stormy hour, the wind, it stirs. The

This heartfelt setting begins with a pianissimo drone over which the sopranos introduce the expressive melody. With lush harmonies, moments of dynamic intensity and an overriding sense of awe, this a

Commissioned by the United States Air Force Band, Colonel Don Schofield, Commander and Conductor. Based on the 1819 poem by Walt Whitman.

"You feel like home." A beautiful glimpse into the moment that poet Charles Anthony Silvestri knew that he fell in love with his wife, Julie, this plaintive piece expresses joy tinged with sadness. This is

The final movement of "The Sacred Veil", a twelve-movement work written with poet Charles Anthony Silvestri that chronicles the rich life of Tony and his late wife Julie, this plaintive piece serves as a

Written with poet Charles Anthony Silvestri, this twelve-movement work chronicles the rich life of Tony and his late wife Julie Silvestri and their journey through cancer. Hauntingly beautiful and

Emily Dickinson's poem on the fragility of nature, as well as our own hand in its destruction, finds an elegiac tone in this deeply melodic original work commissioned by Palo Alto High School.

This a cappella setting of the Maundy Thursday Latin hymn Ubi Caritas was composed for the royal wedding of Prince William and Miss Catherine Middleton. It was first performed by the Choirs of

From the Grammy-nominated work The Lost Birds, this selection is a setting of Emily Dickinson's poem "The Saddest Noise, the Sweetest Noise". It begins the story of The Lost Birds in spring:

Sweeping and cinematic in scope, this multi-movement work serves as both a tribute to the birds that once filled our skies and a warning about our own tenuous existence on the planet. The compositional

This hauntingly cinematic arrangement written for VOCES8 is a warm and ethereal vocalise of the popular Ola Gjeilo piano piece from the album Night.

From the Grammy-nominated work The Lost Birds, this setting of a poem by Edna St. Vincent Millay ends the first half of The Lost Birds. Told from the point of view of the poet, it starts with the

In this gentle lullaby, poet Charles Bennett reflects upon the promise held in the dreams of a sleeping child, a life that has just begun. The choir opens and closes the carol and provides a rich cushion of

Written for Voces8, this setting of Clairel Estevez's poem is stunningly beautiful and can be performed either a cappella or with orchestra.

From the Grammy-nominated work The Lost Birds, this simple melody inspired by children's songs is a setting of Sara Teasdale's poem "In the End." Showcasing her signature pairing of nihilism