Concert and Contest Woodwind Music

Works by Bach, Clarke, Handel, Mendelssohn, Mozart, Schumann, Wagner and more! An incredible collection of 18 arrangements for strings, woodwinds, French horn & piano – these mix and match

Featuring 35 accessible arrangements with works by Schubert, Sibelius, Mozart, and more! Fantastic arrangements for quartet with flexible instrumentation. Each volume is arranged in progressive order of

Works by Bach, Beethoven, Chopin, Franck, Purcell, Mendelssohn and more! An incredible collection of 25 arrangements for strings, woodwinds, French horn & piano – these mix and match quartets

Featuring 35 accessible arrangements with works by Brahms, Grainger, Tchaikovsky and more! Fantastic arrangements for quartet with flexible instrumentation. Each volume is arranged in progressive order of

Works by Chopin, Delibes, Gounod, Strauss, Joplin and more! An incredible collection of 25 arrangements for strings, woodwinds, French horn & piano – these mix and match quartets allow the

Blanc dedicated his Romance, Op. 43 (bis) "to His Friends Raoul Triebert and Garigue." The oboist Triebert (1845-1894) was a member of the Triebert dynasty, one of the most important families of

Vogt composed many concertos and fantasies on opera arias for oboe and orchestra, many of which were also published with piano reductions. He also composed a chamber music for his instrument. One of the

The Theme and Variations, Op. 23, is one of several solo works Verroust composed for the English Horn. An extensive Introduction in G minor leads to the sixteen-measure theme in G major.

The Fantaisie Op. 1, begins with the solo piano which leads to an introduction reminiscent of a bel canto aria, allowing for a great deal of expressive rubato. A brief cadenza leads to a theme and

The Duo for English horn and Alto Saxophone dates from 1938 during Heiden' s years in Detroit. The holograph does not bear any dedication, but it safe to assume that he wrote the two-movement work

"Music for Oboes was written for a double reed convention held in Los Angeles in 1974. It was composed for and premiered by Norman Benno (Oboe); Earle Dumler (English Horn), and John Ellis,

Antonio Pasculli was one of the most important oboists during the 19th century; he lived in Palermo, Italy, and gave many concerts in Europe showing his incredible virtuosity; in fact he was also known as

Two More Pieces for English Horn and Piano (Lamento and Final) are actually the first and last of four pieces Grandval composed for her good friend Georges Gillet (1854-1920) and have never before