Sacred Music for Woodwinds

A wonderful collection of sacred music for the soloist! Includes titles such as Amazing Grace, Ave Maria, Children’s Prayer, On Wings of Song, Wachet Auf, Were You There & more! 

Beginning with a calm, reverent setting, these solos are expressive throughout. The middle section is somewhat freer in melodic presentation with the solo treated more as an obbligato line. The quiet ending

A traditional early American hymn scored for a medium-advanced instrumental soloist. A good choice for communion and other special moments during a worship service.

Jeremy Zimmer presents three communion hymns scored for low instrument (bassoon, horn, trombone, or cello) and piano. In each piece, the tune is stated clearly in the instrument part with ample support from

Taken from Piae Cantiones (1582), Divinum Mysterium is the name of the medieval chant melody which accompanies the hymn Of the Father's Love Begotten. Piae Cantiones is a

Five Arias from "Magnificat" BWV 243 by Johann Sebastian Bach (1685-1750) I. Ex Exultavit Spiritus meus II. Quia respexit humilitatem III. Quia fecit mihi magna IV. Deposuit potentes de sede V.

Designed for maximum flexibility, Hymns of Praise can be used for a solo instrument with piano or CD accompaniment or for any ensemble in any combination of instruments from duets to full

Traditional setting, slightly contemporary- begins with piano in a motif of the theme. The first section is a stylized rendition of the theme. Then, it continues in the chorus much the same.  A

Originally in a duple meter this arrangement very cleverly is in a 6-8 march style. It progresses in a rather processional manner and then transitions to a slower reflective expression. The piece returns to

An incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music

This solo is in a march style throughout. It begins with little fanfare figures in the piano and then as it progress the soloist and piano exchange rolls. The second section is in a variation style while

This piece would serve well as a meditation. Beginning with a quiet Celtic lilt, the center section is stronger and bolder. After several bell effects, the piece returns to the mood of the beginning.

This is a straightforward yet beautiful arrangement of the famous tune.  It will require sensitive musicianship and good technique, but is such a fine piece, it practically plays itself.