Irving Berlin's much-recorded song from 1926 takes a sultry and sophisticated turn with this dynamic jazzy arrangement that includes optional rhythm, flugelhorn and flute. "Blue days, all of them gone.

This is dynamite! Kirby Shaw's phenomenal arrangement of this Simon and Garfunkel hit ballad is contemporary choral writing at its finest. The light, harmonic a cappella opening is contrasted with this

"Chestnuts roasting on an open fire..." This holiday classic was a signature song for Nat King Cole, and it's simply one of the most famous and favorite Christmas songs of all time! Mark Hayes' lush

Commissioned for a premiere performance at the Texas Music Educators Association 2000 convention, Joseph Martin's Come to the Music is alive and electric with driving rhythm, memorable melodies,

The beautiful, haunting melody of this choral standard sounds full and rich in this arrangement for ensembles of any size. The addition of the orchestration will truly elevate this piece!

Beginning with joyous acclamations, this exuberant piece features a polyphonic middle section followed by a lyrical presentation of the "amens" and the return of the homophonic style in the closing

In his signature arranging style, Mark Hayes has produced a deeply moving choral ballad of inspiration, hope and courage. It is remarkable how well Lean on Me and We Shall Overcome

This is amazingly cool!  It's the famous jazz piano piece by Vince Guaraldi, as heard on the animated Peanuts television specials, arranged with "dah dah dot" syllables for a cappella voices! Every a

Energetic and rhythmic, this original a cappella Christmas spiritual has all the right elements for an impressive choral statement. With echoing parts and layering of voices, plus some divisi and an

"We could be kings of the world on top of the nation, it's a celebration of the moments to come... it's time to celebrate like New Year's Day." Here is a hit song from Pentatonix's 2015 self-titled release,

Brimming with dynamic contrasts, rhythmic nuances and textual percussiveness, this spirital is an absolute thrill to sing and hear. "When I go to walk that golden street, nothin' gonna stumble, stumble my

Positive lyrics and an energetic beat are the power behind this selection from "Sweet Charity." Four-hand piano accompaniment. Lots of fun!

This familiar song sounds and feels as if it has always been a part of the folk song or spiritual genre. In this a cappella setting, optional percussion can be utilized to enliven the texture. Equally

A tuneful Quaker melody is transformed with additional music and original text, creating a playful and thoughtful work celebrating the love of friendship. Beginning with the simple melody, the piece