From a three-part collection based on poetry by American pioneers, this third piece depicts a barn dance as vocalists circle 'round the instruments, stomp, clap, and perform with general

A pull-out from the classic Carols and Lullabies collection, this traditional Spanish carol in four parts also includes English text. The accompaniment includes marimba, harp, and guitar for a truly

The second movement from a set of four contrasting memorial dances for unaccompanied mixed chorus. The text, from Isaiah 40, is set to a courtly gavotte in a minor modality. Suite Remembrance,

A very poignant song. Phrases such as "Hush little baby, don't you cry, you know your mama was born to die," or "Oh my brothers, I must leave you here behind," view the approach of death in terms of those

This selection is a gentle lullaby based on an old Welsh folk song. With limited divisi towards the end, it has beautifully lyrical writing and will be a warm and welcome addition to any concert.

Commissioned by the Choir of Trinity College (Melbourne) for their U.S. concert tour in 2020. This minor-mode lullaby is set in close harmonies which amplify its dual nature: sometimes soothing, sometimes a

A true masterpiece for a cappella chorus. The name Randall Thompson is as much a part of choral music as is the voice. Once you've mastered this, you'll have truly stunning performance piece. His masterful

American Triptych presents aspects of spiritual experience as expressed by three North American poets: Americans E. E. Cummings and W. S. Merwin, and Canadian Bliss Carman. The first movement, i thank

American Triptych presents aspects of spiritual experience as expressed by three North American poets: Americans E. E. Cummings and W. S. Merwin, and Canadian Bliss Carman. The second movement, a modern

American Triptych presents aspects of spiritual experience as expressed by three North American poets: Americans E. E. Cummings and W. S. Merwin, and Canadian Bliss Carman. The third movement, Mariner's

American Triptych presents aspects of spiritual experience as expressed by three North American poets: Americans E. E. Cummings and W. S. Merwin, and Canadian Bliss Carman. Commissioned by the Reading

Rooted in the distinctive "Era of Manifestations" period of Shaker history (1837-1847), this multimovement work is based entirely on Shaker texts and tunes and reflects the visionary repertoire written at

Number four in the series of four Appalachian Carols set for both mixed and treble voices. The complete set contains Wondrous Love; The Cherry Tree Carol; Jesus, Jesus Rest Your Head; and Go Tell it on

Number one in the series of four Appalachian Carols set for both mixed and treble voices. The complete set contains Wondrous Love; The Cherry Tree Carol; Jesus, Jesus Rest Your Head; and Go Tell it on

Number three in the series of four Appalachian Carols set for both mixed and treble voices. The complete set contains Wondrous Love; The Cherry Tree Carol; Jesus, Jesus Rest Your Head; and Go Tell it on

Extracted from the cantata "The Great Lakes," this epilogue paints a beautiful picture of William Wilfred Campbell's poetry. Beginning with a flute solo, continuing with flowing accompaniment, and ending

This set of four pieces is written to the poetry of Sarah Orne Jewett, who lived most of her life in South Berwick, Maine and is particularly known for the local color and sense of place she

A high-energy Celtic setting of the familiar tune, this is a great closer for seasonal concerts.

A plaintive unaccompanied setting that captures the essence of the "Ave maris stella" text, this work is a rewarding challenge for advanced ensembles.

This lively work incorporates a sprightly piano accompaniment with the wonderful poem Recuerdo by Edna St. Vincent Millay, along with body movements, to create a real mood piece that is fun and

The beloved hymn Be Thou My Vision has long been part of our rich musical heritage of hymnody. The text is by St. Dallan Forgaill (6th Century Irish), and the tune is Slane (Traditional Irish),