Play it again, Sam! This one can be used as a vocal solo or vocal group feature (SATB or SSAA). The voice leading is just right, and the band gets a spot to open up, too. Vocals in C/Db.

This one features vocal quartet (SATB or SSAA) and has all of the big band sounds everyone likes. Voice leadings are really nice, and a bossa interlude gives a nice change of pace. Vocals in C/Eb.

Looking for an easy-to-play vocal chart? Here is an excellent vocal with big band chart on a familiar standard that has the ensemble arranged at the medium-easy level by Victor Lopez. A slow swing chart

You simply cannot go wrong with this Matt Harris chart on this great jazz ballad ideally set as a tenor sax solo feature! The tempo is about 98 bpm with the tenor solo written and improvised.

You can hear the train comin' down the track with this big band classic that features vocal quartet or chorus. Your vocalists will really sound great on this one; the band stays under the quartet for most

Featuring a vocalist with big band, this gorgeous ballad is played around 74 bpm. The vocal range is G below middle C to third space C, and the lead trumpet range is to F-sharp top line. Included are

Dave Wolpe gives us a fine vocal feature chart on this wonderful Henry Mancini standard treated in a moderate swing style. Arranged in two keys for flexibility, the low female key is C and the vocal range

Dave Wolpe has done a masterful job with Gershwin's romantic favorite, setting it in two keys for both male and female vocal solo, including a lyrical trombone feature, even building it up to a big band

As recorded by Gordon Goodwin's Big Phat Band on the CD That's How We Roll, but minus the woodwind doubles, saxes only. Arranged for flexibility, it's a beautiful solo feature for C instruments, alto sax,

Here's a great Dave Wolpe vocal chart! It features a samba treatment of this iconic Gershwin classic, and the vocal range is G below the staff to middle line B. With great wind parts, a