Composed in honor of the composer's former teacher Donald Erb, Peterson's 4-minute solo work is a dazzling yet idiomatic etude, and great fun to play. Available in versions for bassoon, bass clarinet, and
Mechanically Speaking was composed with an image of interlocking pieces of machinery in mind – the composer imagined an industrial workplace with gears cranking and cogs turning. The opening of the
Tired of traditional stuffy chamber music for horn? Try this laid-back seven-minute piece with Latin and pop influences and optional percussion. It’s a great audience-pleaser and will
Through the utilization of octatonic melodies and harmonies and formally set as a rondo, “Danza Zingara” evokes the passion and energy of a Romany dance. The angularity and energy of the fiery
The spiritual “You Can Tell the World” remained fertile ground for Margaret Bonds’ compositional genius throughout her career. This SSA setting of “You Can Tell the World,” is
THE MAZZANTI METHOD, Vol. 2: DAILY WARM-UPS FOR PICCOLO is a compendium of 24 complete sets of studies in low notes, high notes, facility, intonation, scales, flexibility, melodic expression, and more. In
Ulysses Kay's Fugitive Songs, written for mezzo-soprano and piano, was first performed at Illinois Wesleyan University in May of 1956. The song cycle includes eight short songs, all dedicated to his wife.
This collection of three suites of flexible quartets, playable on any four instruments, have been arranged from works written by Renaissance and Baroque period composers. Works by the following composers