Endlessly inventive and richly colored with the full palette of sounds available in the symphonic wind band. Contrasting moments of lyrical beauty and muscular energy are never dissonant, with more than a

The result of a commission from an alumni band in Japan, this is a lighthearted, happy piece in rondo form, full of bell tones in the brass, accompanied by jazzy harmony, long melodic lines, and lots of

This one-movement work was commissioned by Barnes' longtime friend and collaborator Dr. Mark Rogers. Like so many famous works for bassoon, it is based in F major. The piece is in a modified five-part rondo

Adolf Schmid's 1925 orchestration displays many features that bear witness to his deep knowledge of Percy Grainger's orchestral palette, making it ideal for symphonic wind band adaptation. This wind-band

This sparkling adaptation of a traditional folk dance provides an excellent opportunity to teach syncopation. It's perfect for a late first- or early second-year concert. Percussion demands are minimal, and

You'll find this a real winner for first-year students. Tuneful, engaging parts for all sections and plenty of simple yet effective percussion. Only the second clarinets and second trumpets play more than

Composed during the summer and fall of 1974, this was premiered in the spring semester of 1976. The following year, the symphony was awarded the American Bandmasters Ostwald Composition prize, which led to

A setting of two traditional folk songs, Lonesome Valley and Down to the River to Pray, this arrangement is a lyric and euphonious introduction to the American folk song tradition.

It's never too early to introduce your students to great music. This outstanding addition to the beginning band repertoire is certain to be a hit with your students and audience. Clarinets remain below the