Limited ranges, repeated sections, and creative choral arranging ensure success with this Victor Johnson favorite. This longtime bestseller features percussion parts for sticks, shaker, bongo or African

Long considered "the" original version of this timeless spiritual. The true authenticity of the African-American musical heritage is captured in this Dawson rendition.

A fun, syncopated spiritual for a cappella choir. There's also a part for a soprano solo. Requires a full group, as all parts divide at times. A rousing handclapper!

Written in the modern folk style, composer Allen Koepke has provided an inspirational, allegorical text that is sure to delight. The piano lends dramatic support to the finely styled vocal parts. A frequent

A true classic for tenor-bass choirs, this Shaw–Parker edition features beautiful harmonies in a sensitive setting. Originally arranged for and recorded by the Robert Shaw Chorale, it is an enduring

This Jewish prayer for peace for the next year is presented in a masterful setting. As the simple, memorable Hebrew chorus is restated, the music unfolds in a rich and sonorous outpouring supported by a

Arranged for and recorded by the Robert Shaw Chorale, this joyful and exuberant Shaw–Parker setting of the early American hymn tune WATT'S LYRE is crafted for a cappella mixed chorus.

An absolute classic for tenor-bass choirs, this rousing a cappella arrangement of a traditional English sea shanty features a bass soloist in a call-and-response texture with the choir on several of the

This Shakespearean text is explored in the remarkable Rutter style, giving you an ideal selection for your winter concert or any other performance occasion.

Featuring a tenor soloist in a call-and-response texture on several of the verses, this traditional American sea shanty setting was originally arranged for and recorded by the Robert Shaw Chorale.

Probably Faure's best-known and most frequently performed work next to his Requiem. The lovely melodic lines are over triplet figures in the accompaniment, which can be done on piano, harp, or with a small

Commissioned for a premiere performance at the Texas Music Educators Association 2000 convention, Joseph Martin's Come to the Music is alive and electric with driving rhythm, memorable melodies,

The third in a set of three songs titled Love Was My Lord and King! based on the poetry of Alfred Lord Tennyson. For TTBB chorus and chamber orchestra or piano. Commissioned by the Orpheus Male

This bright and festive a cappella work is set for has become a standard in choral literature for both festival and church choirs. The SSAA and TTBB versions have been adapted by Tim Sarsany.