Tenor-Bass School Choral Sheet Music

Including two traditional Christmas spirituals, Go, Tell It on the Mountain and Rise Up, Shepherd, and Follow, this gospel-style arrangement ties them together both musically and

Equally effective a cappella or with the optional piano accompaniment, this dynamic work with the traditional Latin text is a great choice as an opener for either Christmas or general programming. A fanfare

A lively traditional Shaker song, this arrangement pays homage to the song's roots while adding a vibrant, contemporary feel. Available in multiple voicings that work for almost any choir, this historic

Rich harmonies and sweeping melodic lines surround this traditional Irish blessing text in a serenely peaceful setting that can be used in both concerts and services. Alternate lyrics give options for how

When developing choirs delve into this fresh a cappella setting of the Israeli folk song, they can be assured of enjoying a successful rehearsal and performance experience! The only accompanying instruments

"When we reach out to shine and share our light, we show the world that, together, we can do beautiful things. This is who we are!" This positive text would make a great theme song for choirs of all ages.

With a delightfully playful rhythmic interplay between 3/4 and 6/8 meters, this joyous, fresh setting of the traditional English carol seizes one's interest from its introduction to its exuberant

#shantytok lives on! This Australian sea shanty continues to be a popular choice for tenor-bass choirs. Written to be accessible to all ages and tailored for performance excellence, it tells a fun story

Energetic, uplifting, and declarative, this original concert work reminds the listener to live in joy despite hardship and circumstance. Joyful rhythms dance over the piano accompaniment throughout, and an

Robert Browning's lyrical and intimate poem takes inspiration from the love letters of he and his wife, celebrating the sincerity and trust of an innocent love.

This lively Norwegian folk song in unison is a choral square dance! The crisp rhythms create a hoe-down atmosphere, and the accessible optional descant allows beginning choirs to start singing in harmony,

Based on a short story about Viking sailors lost at sea encountering the dreaded Kraken, this rollicking original sea shanty is a rewarding challenge for mature tenor-bass choirs. The narrative text reads

Arranged for a cappella tenor-bass voices, this traditional sea shanty uses a baritone soloist to tell the woes of being on a ship and a choral response telling the sailor to "leave her." Perfect for high

Byron's exquisite poem is set as a lyrical art song for advancing tenor-bass voices. An opening solo sets the tone for gorgeous choral harmonies that follow. The expressive piano accompaniment never doubles

Andy Grammer's signature song encourages perseverance and a positive mindset in the face of life's ups and downs. The rhythmic accompaniment in the arrangement provides a hip backdrop for energetic vocal

Looking for a fresh pop feature for your next holiday concert? From Cher's Christmas album, this groovin' feel-good choral adaptation of the techno-pop hit is easy to learn, fun to sing, and

You won't want to miss this show-stopping holiday novelty! This is musical theatre at its best - from the moment the opening curtain rises to the final kick line - this is craving choreography, which is

Rainier Maria Rilke's poem honoring the elegance of the majestic swan is set sensitively and expressively. Elegantly intertwining the text and subtle musical devices, the voices capture the swan's glide on

Here is an original concert gospel work with a fierce piano accompaniment that will bring excitement and variety to your next performance. Quoting the familiar spiritual Roll, Jordan, Roll and

Loosely adapted from the traditional Appalachian folk song with Cherokee text in the Overhill (Western) dialect, this was sung on the Trail of Tears to offer comfort to the grieving. Straightforward vocal

With joyful music and lyrics, this original concert gospel work features lively piano accompaniment, percussion, and bass parts. Written for either mixed or tenor-bass choirs, the vocal scoring contributes

"Death, thou art welcome to my arms attended by a thousand charms..." The text dates back as far as 1818 and speaks to the human desire for a peaceful end to life in this exciting and contemporary setting

Edna St. Vincent Millay's evocative words beautifully unveil the familiar vulnerability often entwined with grief. Composed for tenor-bass choir and piano, this piece features accessible yet rich harmonies