Collegiate Repertoire

A blistering circus march designed to showcase your entire ensemble. This adrenaline-packed work will bring your audience to its feet regardless of where you program it in your concert. Cleverly combining

The title says it all. Great thematic writing, driving tempo, intense rhythms, blazing percussion, razor-sharp articulations, and relentless energy all come together to create this inferno of sound that

For concert band.  First printing.  Commissioned by The University of Texas at Austin, in honor of the 100th anniversary of the Sarah and Ernest Butler School of Music.  Premiered on February

What says "winter" more than children sledding down snow-covered hills? In the cold winter months, there's no better way to spend a Saturday than getting outside on a toboggan. Brilliant scales and rhythmic

Light, warm, whimsical, imaginative, wonderous - the beautiful writing of this original piece is irresistable. The gorgeous orchestrations and lush scoring capture all the feelings of innocence and wonder

You will definitely want to experience this advanced band work with your ensemble. Rhythmic and harmonic intensity mark this musical portrait of a witch from a dark forest who delights in terrorizing a

This fiery and powerful overture was composed in the Spring of 2023 in honor of our military service members, who stand guard to protect and defend. Driving eighth notes and fierce percussion create a

This clever march is traditional in style and is based on the famous circus tune The Man on the Flying Trapeze. It's more challenging and will stand with the great marches of Sousa and

Here's a powerful fanfare that prominently displays the power and majesty of the, well, "yellow" instruments of the concert band. This bright work for more advanced concert bands is also an excellent

Bring some funk with a sassy attitude to your winter concert! This remarkably smooth and fun musical scavenger hunt includes a wealth of holiday tunes including O Come, All Ye Faithful; O Little Town of

Zampa, ou La Fiancée de marber (Zampa, or the Marble Bride) first performed in Paris in 1831, is a three-act opera comique. This edition incorporates two early arrangements into a modern