Concert and Contest Music for Woodwinds

This vibrant and lively tune is one of Bizet's most recognizable melodies, and will make an excellent finale for your next recital or formal event.

This delightful gem for flute, oboe, clarinet, bassoon, piano, and hand percussion is a collage of fun, tranquility, and adventure. Set on an island, its waltz, ragtime, soliloquy, hornpipe, and other

This beautiful and frequently performed lullaby is thought to be of African American origin. This lovely setting for woodwind quintet is not technically difficult, though because it is soft and slow,

Whip-poor-will! Spangled with avian antics and musical treasures, this entertaining toe-tapper with lots of independent lines, syncopation, grace notes, sixteenth-note runs, and bird imitations

Don't swab the deck - Dance! This spritely throwback to long ago is pure delight. Its lively triplets, grace notes, hints of a bos'un's whistle, drones, and unforgettable tune will get your feet moving and

Do not let the slow start to this piece deceive you! Containing many contrasting sections, this work is a medley of O Come, O Come, Emmanuel (Veni Emmanuel); Of the Father's Love Begotten

Raindrops is a groovy, lighthearted, pop-style chamber ensemble piece that features 3 woodwinds and marimba. In the piece, the marimba part functions like a drumset, keeping the overall

This music, borrowed from Choctaw worship, mixes a woodwind quartet with groups of pitched and unpitched percussion. The mallet instruments are backed up with an optional piano part in the event some, or

Mozart composed a set of five Divertimentos for woodwind trio (two clarinets and bassoon). These provided source material to an unknown arranger who converted portions of them into Six Viennese

American composer Edward MacDowell is primarily noted for works created for the piano. Some, however, do well when transcribed for performance by wind instruments. From his 1890 collection of Twelve

Bach's famous air skillfully for woodwind quartet. This arrangement was created with the help of a contribution from the Music Investment Fund, an initiative of Buma/Stemra in cooperation with Voie, the