Barenreiter Urtext Editions

The Barenreiter urtext edition of Handel's masterwork is impeccably clean and authentic to Handel's original manuscripts. Available in English and German editions, it is a popular choice with European

The Baerenreiter edition of Mozart's masterwork; this has become a staple in the repertoire.

Between 1996 and 2000, Barenreiter published scholarly critical editions of Beethoven's nine symphonies edited by the first-class musicologist Jonathan Del Mar. The editorial process was a huge undertaking

This publication of a new completion of the Mozart Requiem offers a source-critical edition of Mozart's fragmentary Requiem as well as an alternative to the traditional Süssmayr version. It makes it

Edited by Stephan Blaut. For SAATBB choir & orchestra. Urtext Edition. Preface in Ger. and Eng. A coronation anthem. Vocal score, 32 p.

This urtext edition for SATB chorus and piano is based on the volume of the Complete Works of Gabriel Faure published in 2010.  The vocal score is compatible with the first small-scale version

Mendelssohn's Violin Concerto in E Minor, Op. 64 was completed in 1844. It was written to showcase the talents of violinist Ferdinand David, who was concertmaster of the Leipzig Gewandhaus Orchestra where

Edited by Stephan Blaut. For SSAATBB choir & orchestra. Urtext Edition. Preface in Ger. and Eng. A coronation anthem. Vocal score, 19 p.

Mendelssohn's setting of Non nobis Domine marked the arrival of his maturity as a composer of sacred music and was the first in the series of five great psalm-cantatas that, along with the

Telemann's 1754 chorale setting of the church hymn Christus, der ist mein Leben, based on Melchoir Vulpius' melody from the Hamburg Hymnal, is especially well suited to display his mastery in

Edited by Jonathan Del Mar. For piano & orchestra. Urtext Edition. Preface in Ger. and Eng. The editor has closely

Edited by Andreas Friesenhagen. For orchestra. Urtext Edition based on the Complete Edition. Preface in Ger. and Eng. Duration: ca. 22'. Full score, 40 p.

Schubert, Franz. Ed. Werner Aderhold. Published by Baerenreiter, Kassel, Germany. Copyright 1997. Urtext performing edition based on the Neue Schubert Ausgabe. Study score (5528260) and parts are also

Handel composed the Te Deum in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname “Chandos Te Deum”. Here it is called Te Deum or Cannons after the

Composed around 1760, Die Auferstehung und Himmelfahrt Jesu is one of Telemann's last large-scale vocal works. The libretto, by Karl Wilhelm Ramler, recounts the Biblical events from the