This tremendous work will make a fantastic concert opener! The dramatic solo opening is followed by an up-tempo traditional-style choral arrangement of this South African song with djembe and handclaps.

Following on the heels of his wildly popular Sisi Ni Moja, Jacob Narverud returns with another show-stopping piece in a similar style. With influences from world music and an upbeat rhythmic style,

Adapted from the gospel-style interpretation of the hymn His Eye Is on the Sparrow originally performed and recorded by the Georgia Mass Choir, this setting is an inspirational choice for gospel,

This exciting spiritual, with accompaniment for high, medium, and low conga drums, is an unusually appealing number suitable for a wide variety of uses, from smaller choirs to massed choir

It is impossible not to be inspired by this soul-stirring gospel original. The accompaniment is rock solid, and the choral parts are incredibly gutsy, with dramatic dynamic swells and accents that will

A performance by Craig Hella Johnson and Conspirare of this Carly Simon hit was featured on a PBS special and was also included on their Grammy-nominated CD. Vibrant choral textures are supported by a

This outstanding setting of a traditional camp meeting song is growing in popularity as a top choice for festival choirs!

Singer/songwriter Eliza Gilkyson wrote Requiem as a song of grief following the Asian tsunami in December 2004, and the song found a renewed audience after Hurricane Katrina devastated the Gulf

This energetic Latin-style piece is a great opener, closer or encore number! Melodic and fun, with Spanish lyrics, handclaps, finger snaps and other body percussion, it's a party fixin' to happen! (With

Strong, lyrical piano lines support an arching unison melody in this David Childs setting of a text from the "Song of Solomon." Suitable as a concert feature or closer, this exquisite setting also includes

Younger and developing mixed choirs will shine in this lyrical and expressive setting. With text written by American poet Ella Wheeler Wilcox, rubato musical phrases gently unfold over an accompaniment that

"Though I have been wounded; aching heart, full of pain, still I rise, yes, still I rise..." With its spiritual-like style, this original choral arrangement with solo speaks poignantly of the struggles of

A triumphant Mozart masterwork for today's choirs! This joyful opera finale opens and closes with a boisterous choral fanfare that features a brief, expressive vocal duet in the middle. The text is in