Boosey and Hawkes Sheet Music

Beginning and ending quietly and with a sense stillness, this starkness is conveyed with gentle dissonances and slow, homophonic movement. Each verse is set to the same music but with the sense of climax in

This beautifully moving work was specially commissioned by the Dean and Chapter of Westminster for performance at the Funeral Service of Her Late Majesty Queen Elizabeth II at Westminster Abbey. The text

From one of the UK's bright, emerging choral composers, Rhiannon Randle, is this sublime setting of the familiar Latin text. O nata lux is a personal reflection on the compelling and timeless

From the Grammy-nominated work The Lost Birds, this simple melody inspired by children's songs is a setting of Sara Teasdale's poem "In the End." Showcasing her signature pairing of nihilism

From the Grammy-nominated work The Lost Birds, this setting of a poem by Edna St. Vincent Millay ends the first half of The Lost Birds. Told from the point of view of the poet, it starts with the

From the Grammy-nominated work The Lost Birds, this selection is a setting of Emily Dickinson's poem "The Saddest Noise, the Sweetest Noise". It begins the story of The Lost Birds in spring:

With modern dissonance and free tonality, this entire piece drives toward the last line of the Stacy Gnall poem: "big brother, I am catching up to you." One long, rhythmic race, this selection will be a

The Strathclyde Motets are communion motets setting propers of the mass for various Sundays and feasts. Latin text from the "Graduale Romanum." Suitable for intermediate standard choirs. For mixed

The Strathclyde Motets are communion motets setting propers of the mass for various Sundays and feasts. The Latin text is taken from the "Graduale Romanum." For mixed intermediate choir a cappella,

This song by Francis Smith Thomas, a close friend of the Martin Luther King, Jr. family, was inspired by the words of a woman who participated in the Montgomery bus boycott, a pivotal event in the civil

Emily Dickinson's poem on the fragility of nature, as well as our own hand in its destruction, finds an elegiac tone in this deeply melodic original work commissioned by Palo Alto High School.

For SATB chorus & optional organ. First printing. Commissioned by the Cathedral Organists' Association. Premiered by the Choir of York Minster in May 2019. Duration: ca. 7'. This edition does not

For SATB (with divisi) choir. In one movement. With a biographical note. Dedicated to the memory of Frances Morrill. Premiered by the choir of Selwyn College, May 2017. The music sets a text by John Donne.

William Shakespeare's famous sonnet ("Let me not to the marriage of true minds Admit impediments"), often used at weddings and civil ceremonies, is here set to beautiful, fresh music by young composer Ed

With a text centered around divine love, and the depths of that love, the music is characterized by slow-moving cluster chords, soaring voice leading, and first inversion chords that give a feeling of

Here is a well-known summer psalm in Sweden. A fresh take on this traditional melody will be a joy and a surprise to singers and listeners alike.

This text is all about loving one another, a much needed sentiment in these turbulent times in which we live. The music is flowing with soaring voice leadings, modern harmonies, cascades, and chord clusters

A setting of four poems by Michael Symmons Roberts for male voices a cappella, commissioned by the King’s Singers and first performed by them in April 2014. MacMillan has been repeatedly drawn to

A collection of three early American folk hymns: Hallelujah, a six-part a cappella setting of the Sacred Harp tune; Angel Band, an eight-part a cappella setting of the beloved William

For SATB choir a cappella. First printing. This work sets a text from Ezekiel. Commissioned by Merton College, Oxford, for the Merton Choirbook. Premiered in Oxford, June 2014. Choral score, 9 p.

Here is a concert spiritual for the most accomplished choirs. Extended ranges, divisi in all parts, and a tenor solo for that tenor who can really cut it loose. Fun, exciting, and the perfect closer for

Meaning "Blessed are those who hunger," Beati Qui Esuriunt contrasts a peaceful, chant-like introduction and coda with an energetically rhythmic middle section that illustrates how our longings and