William Butler Yeats ends his short story The Adoration of the Magi with the narrator describing a centuries-old Gaelic prayer "... when I pray against the demons I repeat a prayer which was made I

This work, which celebrates and honors Mother Earth, is written in the Sami yoik tradition. The title word Aejlies which translates to "holy" is used along with yoik syllables to allow the human

Based on Hildegard of Bingen's traditional chant and inspired by her agile and hypnotic lines, this piece emulates its text about the wind. Xylophone obbligato, finger cymbals, and tambourine heighten the

Energetic, rhythmic, and a joy to sing, Alex Morris has all the right ingredients in this barbershop-styled arrangement of the iconic 1980s hit made famous by Toto.  A cappella, with optional

The 1983 #1 hit by Toto has a timeless appeal that really resonates with today's choirs. It has great harmonies and vocal effects in this classic King's Singers arrangement. The SATTBB version is their

Millions have seen and heard the amazing YouTube performance of Toto's Africa by the Slovenian choir Perpetuum Jazzille as they re-create the sounds of a rainstorm solely with body percussion. This

This unique call-and-response piece inspired by African folk idioms is a truly unforgettable worship offering. The choir sings in English and Swahili, with a pronunciation guide and alternate English text

Limited ranges, repeated sections, and creative choral arranging ensure success with this Victor Johnson favorite. This longtime bestseller features percussion parts for sticks, shaker, bongo or African

Andre Thomas is a master at the spiritual form, and his skill is clearly evident in this gem! Easy to sing tonally, but with divisi voices, the layers of sound and the constant rhythmic patterns add

This gorgeous jazz standard has been recorded by some of the greatest singers of our time and before - from 1918 to the present. Presented in a slow swing, an almost New Orleans-style feel with smooth jazz

This classic rock song from Bob Seger and The Silver Bullet Band has been authentically arranged for choral groups. Solo opportunities and solid choral writing showcase your singers while a brief piano

With a slow gospel groove, this accessible concert work sets the traditional Latin text with full, rich harmonies in a slow 6/8. The piano accompaniment supports the harmonic motion while adding to the

This reflective composition for a cappella choir uses overlapping, repetitive homophonic textures with harmonies in sustained clusters which build to an emotional climax. This is a prayer for understanding

Now in a second edition, this a cappella setting of Agnus Dei from the major work "The World Beloved: A Bluegrass Mass" is rich with lush harmonies that breathe new life into an oft-set text. This work

Agnus Dei is the fifth and final movement of Dr. Thomas' Mass: A Celebration of Love and Joy. The text is in English, and the supercharged piano accompaniment supports the traditional

This beautiful setting of the traditional Latin text features divisi a cappella harmonies in a mix of ancient and modern, making this a fresh selection for more advanced ensembles.

This flowing, melodic setting of the traditional Latin text is absolutely gorgeous! The marvelous part writing, luscious harmonies, and rich accompaniment are so gentle and graceful, the work is purely

This classic worship song is ideal for communion or any worship occasion reflecting on Jesus, the Lamb of God. The inclusion of a portion of How Great Thou Art expands and reinforces this anthem of

Here's a rhythmic and exciting setting of the traditional spiritual with a gospel-style piano accompaniment for mixed choirs. Beginning in a lighter style, the piece transitions to a slower section with an

Rollo Dilworth has combined this traditional freedom song - sung as an anthem of protest during the civil rights movement to spread the message of faith, determination and perseverance - with the words of

"Ain't no mountain high enough, ain't no valley low enough, ain't no river wide enough to keep me from gettin' to you, babe." This #1 hit from 1970 by Diana Ross still has super appeal, and this arrangement