Concert and Contest Music for Woodwinds

Arranged by Carl Rath. Includes Bohemian Rhapsody, Crazy Little Thing Called Love, Fat Bottomed Girls, The March of the Black Queen, Radio Ga Ga, The Show Must Go On, Somebody to Love, and

Originally written for organ, this fugue by Reinhold Gliere was composed when he served on the faculty of the Kiev Conservatory. Deftly arranged for a trio of flute, oboe, and bassoon, it retains the

Rontgen composed two woodwind quintets which he dedicated "to Mrs. Coolidge." He evidently never sent these to her as neither work is among the massive collection of manuscripts she left to the Library of

Since it's premier on December 18th, 1892 in the Imperial Marinsky Theater, The Nutcracker has grown enormously in popularity. For American ballet companies alone, it accounts for at least 40% of

This woodwind quintet was written in 2014. It is modeled on the classical form and is a three-movement work in the standard fast-slow-fast structure ending in a rondo. The first movement is based

Though my training as a musician and a composer is firmly rooted in western art music, more specifically within an American collegiate environment, a lot of my inspiration and musical influences come from

The Two Fugues capture the all the elegance, charm and contrapuntal flavor of the Baroque style and can be played together or individually. These original fugues are fun to perform while still

From the oratorio Alessandro by G. F. Handel Arranged for Woodwind Quintet By Thomas Jostlein.

The Duo for English horn and Alto Saxophone dates from 1938 during Heiden' s years in Detroit. The holograph does not bear any dedication, but it safe to assume that he wrote the two-movement work

It is not generally known that Barthe composed two pieces for woodwind quintet-the ubiquitous Passacaille and a charming Aubade. Both of these compositions were published in 1899, a year

For Two Flutes, Oboe, Clarinet, Two Bassoons, by Romeo Cascarino. The Tow Path (Divertimento for Woodwind Sextet) is a chamber tone poem composed in 1983-1984. As far as can be determined,

The Adagio, Op. 30, for Double Wind Quintet was composed in 1897 while Converse was studying with Rhinberger. The choice of instrumentation and key (E-flat major) point to a familiarity with the

Storytime Suite is loosely based on a traditional dance suite. This piece fuses together modal and folk-like melodies, modem chromaticism, and the playfulness of the bassoon and flute

This arrangement of the Rite of Spring is scored for wind quintet and piano. While there is some necessary musical redistribution, the iconic solo lines remain on their original