This lively setting of Cantate Domino by Giovanni Croce is a great way to start the year with your tenors and basses. The polyphonic opening gives each voice part a chance at the melody and is followed by a
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Arranged for the 2017 Christmas Festival at St. Olaf, this collage draws from across the globe to intertwine carols from the West Indies, Puerto Rico, Canada, America, Germany, and Nigeria. Movements for
Come to me was commissioned in loving memory of Bob Doan, and premiered at Wayzata Community Church. The texts were drawn from his memorial service (Matthew 11 and John 14). The piece begins with a sense of
One the earliest arrangements in the Aspen Hill library, this piece begins with voices in unison on the familiar, floating melody and is a great way to find the beauty of head voice. Danny Boy tells a story
This dramatic story of King David and his son Absalom from early American composer, William Billings, is a powerful depiction of love and grief. Open harmonies create a magnificent opportunity to teach
Written in response to the tragic and violent events of the summer of 2016, including the death of an incoming TCU first-year student, this work combines texts from the Psalms and Luke to create a haunting
This rousing setting is a great way to start a concert set with sturdy rhythms and strong harmonies. It is simple enough to work as a processional and can easily involve your audience. It has been a
With an opening melody that hearkens to Henry Purcell's touchstone setting, dissonant harmonies and metrical shifts take us in a very different direction. The discord of the piece seeks to emphasize the
This introit drawn from the Byzantine tradition sets a text in Church Slavonic over a simple drone. A solo voice and aleatoric verse provide a unique set of textures to open any concert or worship and music
This setting attempts to capture the many moods of the text by Mechtild of Magdeburg (translated by Jane Hirschfield): frustration, wistfulness, urgency, and ecstasy. A disjunct opening fanfare intermingled
A gospel-style piano accompaniment supports this familiar and beloved Gospel song. Inner verse solos set to the tune, God Rest Ye Merry Gentlemen, and the text of Amazing Grace shares ideas of hope and
This setting of ‘Twas in the Moon of Wintertime was created for the Manitou Singers of St. Olaf College and their conductor, Dr. Therees Tkach Hibbard. I was asked to re-arrange my SATB setting of the
Music Makers, Dreamers of Dreams was commissioned by One Voice Mixed Chorus, Minnesota's own and North America's largest LGBT and straight allies chorus under the direction of Jane Ramseyer Miller. The text
Sing On! Dance On! was premiered by the TCU Chorale in March of 2016 at Ft. Worth United Methodist Church on a program called, Dance On, Sing Praises! Another arrangement of this tune by Fellowes was a
This flowing piece for a cappella choir and soloists gives new life to Will L. Thompson's beloved hymn. This arrangement sets the first and last verse, capturing the image of Jesus “waiting and
This benediction begins with Isaiah 41, “Do not be afraid, for I am with with you...” and continues with words of tremendous love and promise. With the entrance of the Matthew text,