Elegie
Publisher Desc.
This intense and emotional piece draws inspiration from
classical/romantic composers, such as Edward Elgar, while also mixing in
modern elements.
Performance Notes: Dissonance is very common in this piece. It will not
help the orchestra if the players cower away from it, rather than play it
confidently. Don't second-guess whether or not the right notes are being
played. Be sensitive to whoever has the moving line, as it is passed around
the orchestra. At measure 22, the Violas and Cellos should soar above the
violins. At measures 26-30, everyone in the orchestra should be playing as
loud as humanly possible (go crazy, go bananas), while still remaining
sensitive to the moving melodies; this is the composer's signature theme. Be
mindful of the key change at measure 35 (F Maj/D Min to B-Flat Maj/G Min). In
the end, Violins, Violas, and Cellos should decrescendo to literally nothing
on the tremolos. The basses should emphasize pizzicato, but play it lightly,
rather than thunderous. The chords in the Harp and Piano should also be
brought out.
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