Two separate original musical settings of the same text for Advent evoke the late medieval era when the lyrics were written by using pedal points, drones, and modal harmonies. The first, more florid SATB
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These introits offer a fresh take on the beloved hymn VENI, VENI EMMANUEL. The tune is the basis for the refrain, and the verses match the Roman Missal – one for each Sunday of Advent. While intended
This setting enhances the original chant, adding rich harmonies and polyphonic textures. The skillful voice leading makes this accessible to moderately experienced choirs. The supportive organ accompanies
The uplifting melody is shared throughout this piece and is supported by various harmonic changes. Duets and contrapuntal textures can be found throughout. Inspiring for a liturgical setting.
Farrell sets the text of John 3:16 as a flowing choral anthem, suitable for use during Holy Week and funeral liturgies. Unique harmonies add interest to this well-known text. Lovely!
This short but effective piece, perfect for the Easter Vigil and the entire Easter season, is written for SATB choir, organ, two B-flat trumpets, and two trombones. The music builds with excitement
This choral anthem, with text adapted from Job 19 and 1 Corinthians 13, features themes of resurrection and eternal life, and would be very appropriate for All Saints and All Souls' Day. For SATB choir and
Inspired by the melodies and speechlike rhythms of plainchant, this a cappella choral anthem is a beautiful option when a reflective atmosphere is desired. The piece begins softly but slowly blossoms,
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This setting of the famous passage from John 14 may be sung by ensembles large and small. Written for SATB choir, the composer has also included an optional organ accompaniment that, if played, can bring
A standout for the season of Lent, this a cappella piece offers a wonderful platform for choirs to explore some chromaticism and modal tonality. Foster the spiritual formation and conversation on the rich
The message of the lyrics to "let nothing disturb you" is reflected in the fluid rhythmic pacing and smooth voice-leading. Accompanied by piano, this can work as a simple, beautiful choral anthem or as a
This is a simple yet stirring unaccompanied SATB setting of the first three verses of the hymn text Lord, Let Me Love You More and More. Colorful, interesting and heartfelt.
Hillert's masterful arrangement of this haunting tune makes it easy to learn and gives each section of the choir a chance to shine. Well crafted and interesting throughout. Peaceful and meaningful.
This a cappella anthem is set to a text of John Henry Newman (1801-1890) and was commissioned in honor of the Catholic Studies program at University of St. Thomas. The harmonies are tight, the parts are
Originating from Advent & Christmas: Prayer for the Journey, these seven pieces are sung in the seven days before Christmas and represent seven titles used for the coming Messiah.
This haunting setting based on Psalms 102 and 142 features themes of petition, prayer, and longing for God. The expressive dissonances and their resolutions reflect spiritual yearning. The simple optional
This anthem, a rich and sensitive setting of the "O" antiphons, is an ideal choice for Advent. Filled with rich textures and intimate choral harmonies, any amount of rehearsal time to fully achieve the
This beautiful setting of the text by St. Thomas Aquinas is scored for organ and choir, although they never sound together. The organ acts as a framing element in an otherwise a cappella setting. It is
This stirring setting uses skillful part-writing and well-prepared dissonances to enhance the word painting of the traditional Latin text. Occasional chromatic harmonies, and brief touches on the lower
With a Latin and English text based on John 14:27 and inspired by Gregorian chant, this is a stunning a cappella motet by Howard Helvey. Reasonable in length, excellent vocal ranges and part-writing as
Regina Caeli is a piece about joy. The music illustrates the joy of the text, itself a meditation on the joy of the Virgin Mary at the Resurrection of her Son. And, giving her the title Queen of