Now in print for the first time, this was originally written in 1987 for the Richard Stoltzman album titled Ebony, featuring the Woody Herman Big Band. Duke Ellington's Come Sunday featured Stoltsman as a clarinet soloist. John Fedchock modified it sometime later to make it a baritone saxophone solo feature and added a trombone 4 part to cover the original baritone sax part. Fedchock's chart is absolutely gorgeous, featuring lush harmonies, a few woodwind doubles, beautiful ensemble sections, and a double-time section for the ensemble. The baritone sax solo is both written and improvised and features a wonderful cadenza at the end. Highly recommended!