Congregational hymn-singing accompaniments just became a bit more refreshing with this new collection of hymn enhancements for flute and organ. Allowing for a wealth of variety, these familiar hymns include
A wonderful collection of sacred music for the soloist! Includes titles such as Amazing Grace, Ave Maria, Children’s Prayer, On Wings of Song, Wachet Auf, Were You There & more!
This set of variations was written for oboist and friend Lindsey Lyrenmann. They were designed to be a launching point for improvisation during the communion portion of the December 21, 2014 services at
This acclaimed instrumental solo series has been enthusiastically embraced by skilled instrumentalists seeking resources for worship and concert. These hymn settings showcase Brant's idiomatic understanding
The Solos for Worship series continues with a third volume scored for alto saxophone and piano accompaniment. Selections include one each for the Thanksgiving, Advent/Christmas, and
Florid lines surround the melody in this relaxing and contemplative setting of the dearly loved tune.
This delicate, lyric solo is presented here for C instrument with CD accompaniment. A version for C instrument, piano and string quartet is also available. It is sure to find a special place in
Based on the familiar melody, this is an engaging and lyrical chamber work for violin solo and piano, with optional strings and oboe. It can be easily adapted for flute solo with several passages
Piae Cantiones, published in 1582, is a collection of late medieval sacred and secular songs begging to be given performance, either as written, or perhaps in new settings. Three sacred tunes in
"Joyful" is the best term to describe this animated woodwind quintet arrangement. All five parts are exciting to play, with prominent flute and horn parts. This work is an accessible and fresh take on the
While Franz Liszt is best known for virtuoso piano music and turbulent tone poems, his later compositions are full of serene beauty, most notably the three volumes titled Years of Pilgrimage
Arirang is considered the unofficial national anthem of South Korea. This setting for flute and piano features three distinct sections: a gentle and reflective beginning, a flowing and lyrical
Beginning with a calm, reverent setting, these solos are expressive throughout. The middle section is somewhat freer in melodic presentation with the solo treated more as an obbligato line. The quiet ending