Sacred Music for Woodwinds

A wonderful collection of sacred music for the soloist! Includes titles such as Amazing Grace, Ave Maria, Children’s Prayer, On Wings of Song, Wachet Auf, Were You There & more!

A wonderful collection of sacred music for the soloist! Includes titles such as Amazing Grace, Ave Maria, Children’s Prayer, On Wings of Song, Wachet Auf, Were You There & more! 

A wonderful collection of sacred music for the soloist! Includes titles such as Amazing Grace, Ave Maria, Children’s Prayer, On Wings of Song, Wachet Auf, Were You There & more! 

This beautiful hymn has been arranged to feature all the members of a quintet. This arrangement opens with a short introduction then proceeds through several verses. Each verse is scored differently for

An accompanied clarinet solo that includes the hymns, Jesus Led Me All The Way,  and  All the Way My Savior Leads Me. After a brief intro of "All The Way…" the soloist

This acclaimed instrumental solo series has been enthusiastically embraced by skilled instrumentalists seeking resources for worship and concert. These hymn settings showcase Brant's idiomatic understanding

The Solos for Worship series continues with a third volume scored for alto saxophone and piano accompaniment. Selections include one each for the Thanksgiving, Advent/Christmas, and

Based on the familiar melody, this is an engaging and lyrical chamber work for violin solo and piano, with optional strings and oboe.  It can be easily adapted for flute solo with several passages

Florid lines surround the melody in this relaxing and contemplative setting of the dearly loved tune.  

Piae Cantiones, published in 1582, is a collection of late medieval sacred and secular songs begging to be given performance, either as written, or perhaps in new settings. Three sacred tunes in

"Joyful" is the best term to describe this animated woodwind quintet arrangement. All five parts are exciting to play, with prominent flute and horn parts. This work is an accessible and fresh take on the

Beginning with a calm, reverent setting, these solos are expressive throughout. The middle section is somewhat freer in melodic presentation with the solo treated more as an obbligato line. The quiet ending

Based on the hymn GOD OF LOVE, this hymn tune adaptation was written for the fantastic flute section during my time teaching at Tabor College. This offering was a featured chamber work on the 2013 spring