Sacred Music for Woodwinds

Congregational hymn-singing accompaniments just became a bit more refreshing with this new collection of hymn enhancements for flute and organ. Allowing for a wealth of variety, these familiar hymns include

A wonderful collection of sacred music for the soloist! Includes titles such as Amazing Grace, Ave Maria, Children’s Prayer, On Wings of Song, Wachet Auf, Were You There & more!

A wonderful collection of sacred music for the soloist! Includes titles such as Amazing Grace, Ave Maria, Children’s Prayer, On Wings of Song, Wachet Auf, Were You There & more! 

A wonderful collection of sacred music for the soloist! Includes titles such as Amazing Grace, Ave Maria, Children’s Prayer, On Wings of Song, Wachet Auf, Were You There & more! 

This set of variations was written for oboist and friend Lindsey Lyrenmann. They were designed to be a launching point for improvisation during the communion portion of the December 21, 2014 services at

An accompanied clarinet solo that includes the hymns, Jesus Led Me All The Way,  and  All the Way My Savior Leads Me. After a brief intro of "All The Way…" the soloist

Based on the familiar melody, this is an engaging and lyrical chamber work for violin solo and piano, with optional strings and oboe.  It can be easily adapted for flute solo with several passages

This delicate, lyric solo is presented here for C instrument with CD accompaniment.  A version for C instrument, piano and string quartet is also available.  It is sure to find a special place in

Arirang is considered the unofficial national anthem of South Korea. This setting for flute and piano features three distinct sections: a gentle and reflective beginning, a flowing and lyrical

Beginning with a calm, reverent setting, these solos are expressive throughout. The middle section is somewhat freer in melodic presentation with the solo treated more as an obbligato line. The quiet ending

A flute solo that begins with Flow Gently Sweet Afton acapella in the lower range of the flute, and is then joined with the piano. It is repeated up the octave with a more involved accompaniment.

This solo begins with non-thematic material setting up the mood of the piece. The theme is then introduced in a back-and-forth format between the instrument and accompaniment. It then continues with an