Henle Urtext Editions

The composition 1.X.1905, generally referred to as a “sonata,” stems from the autumn of 1905, the peak of the riots between the Czech- and German-speaking populations in

To this day, Pierre Rode's  “Caprices” are a milestone in every violinist's education conservatory level. This Urtext edition offers detailed text regarding source material and historical

Dont, Kreutzer, Rode: three of the most prominent violin pedagogues of the nineteenth century are united here in one volume. At the outset of the nineteenth century, Rodolphe Kreutzer and Pierre Rode each

Among the Variations on an Original Theme, WoO 80 from 1806 constitutes a special case in that Beethoven consciously draws on older practices. A chromatically descending bass line in the theme provides the

These eight songs are among Strauss' most famous lieder. They were written in the mid-1880s on poems of Hermann von Gilm and are the first songs that Strauss assembled into a single opus and allowed to be

Edited by Joanna Cobb Biermann. For Piano. Preface in Ger., Fr. and Eng. Urtext Edition, based primarily on the first edition published in 1867. Includes critical commentary. Score, 5 p.

Edited by Georg von Dadelsen. Fingering by Hans-Martin Theopold. For piano. Urtext Edition. Includes critical commentary. Score, 12 p.

This single-movement sonata for cello and piano, Evgeny Kissin's Opus 2, evokes a sombre, melancholic ballad. The approximately ten-minute work from 2016 places high demands on both instrumentalists in its

Edited by Nicolai Pfeffer. For clarinet & piano reduction. Urtext Edition. Preface in Ger., Fr. and Eng. The piano reduction was prepared by Johannes Umbreit on the basis of the original orchestral

Rieding's short concert pieces for violin and piano, written at the start of the twentieth century especially for beginners on the instrument, have maintained their place in lessons and class recitals.

Beethoven's "33 Variations on a waltz by A. Diabelli," composed between 1819 and 1823, are his most significant contribution to the genre. The notice announcing the publication of the first edition aptly

The Fifteen Variations (with Fugue) op. 35 composed in 1802 are known primarily by their sobriquet "Eroica Variations" because the theme is also used in the finale of the Third Symphony. Together with its

Edited by Ewald Zimmermann. For piano. Urtext Edition. First published in 1833. Fingerings by Hermann Keller. Includes comments in Ger. and Eng. Score, 5 p.