Henle Urtext Editions

Of Carl Philipp Emmanuel Bach's flute concertos, the one in D minor is by far the best known, even though its authenticity has been repeatedly doubted. A version of the same concerto for harpsichord and

Edited by Marion Beyer.  For solo flute.  Urtext Edition.  Preface in Ger., Fr. and Eng.  Notes on performance by Karl Kaiser.  Includes critical commentary.  Score, 18 p.

The little march composed in 1924 forms the nucleus of the suite for wind instruments Mladi, in which the jaunty flute theme weaves through the 3rd movement. Incidentally, the "bluebirds" do not refer to

Telemann's sonatas, published in 1728, are "methodical" according to the meaning of the word in his own day, since in addition to the plain melody line given to the soloist in the first movements they also

Edited by Wolfgang Kostujak. For flute or violin & continuo. Urtext Edition. Preface in Ger., Fr. and Eng. Contents: Sonata prima, TWV 41:h3; Sonata seconda, TWV 41:c3; Sonata terza, TWV

The Romance for a melodic instrument and piano was a very popular genre in French salon music of the nineteenth century. Saint-Saens also wrote several such pieces for violin, cello, and horn. His only

Edited by Norbert Gertsch. For two flutes, two oboes, two clarinets, four horns, two bassoons, and contrabassoon. This volume is based mainly on the first edition, published in 1883. In one movement.

Edited by Ernst-Gunter Heinemann.  For flute & piano.  Urtext Edition.  Preface in Ger., Fr. and Eng.  Fingering by Klaus Schilde.  Includes critical commentary.  Score, 32

Edited by Marion Beyer.  For solo flute.  Urtext Edition.  Comments on ornamentation and performance practice by the English transverse flute expert Rachel Brown.  Complete reproduction

From among Reinecke's abundant oeuvre, a very few works have from the beginning maintained their position in the concert repertoire. First and foremost among these is the Flute Sonata op. 167 with the