"Favorite dish in exchange for favorite music" - this perfectly summarizes the genesis of the Konzertstucke. When the clarinettist Heinrich Joseph Baermann and his son Carl, who also played the
Edited by Christiane Strucken-Paland. For 1 piano, 4 hands. Urtext Edition. Preface in Ger., Fr. and Eng. A suite of six pieces written between 1893 and 1896. Includes critical commentary. Score, 42
Edited by Robert D. Levin. For violin & cello. Urtext Edition. Preface in Ger., Fr. and Eng. Levin has completed this
Edited by Wolfgang Eggerking. Fingering by Andreas Groethuysen. For 1 piano, 4 hands. Urtext Edition. Preface in Ger., Fr. and Eng. Includes critical commentary. Score, 78 p.
Edited by Ullrich Scheideler. Piano reduction by Johannes Umbreit. For 2 pianos, 4 hands. Urtext Edition based primarily on the first edition, published in 1923 by Max Eschig. Preface in Ger., Fr. and
Edited by Ernst-Gunter Heinemann & Einar Steen-Nokleberg. For piano. Urtext Edition, based on the first edition published in 1897. Preface in Ger., Fr. and Eng. Includes critical notes. Score, 25
Edited by Ernst-Gunter Heinemann & Einar Steen-Nokleberg. For 1 piano, 4 hands. Urtext Edition. Preface in Ger., Fr. and Eng. In the autograph and the first print run, the second suite contained another