Henle Urtext Editions

Edited by Christian Bellisario.  For solo cello.  Urtext Edition.  Preface in Ger., Fr. and Eng.  Study score includes critical commentary.  Study score, 42 p.

"More than 20 years ago I was called upon by friends, artists, and aficionados to write about fingerings for the violoncello," then-famous Berlin cellist Jean-Louis Duport thus opens his "Essai" from 1806,

To this day, Pierre Rode's  “Caprices” are a milestone in every violinist's education conservatory level. This Urtext edition offers detailed text regarding source material and historical

Dont, Kreutzer, Rode: three of the most prominent violin pedagogues of the nineteenth century are united here in one volume. At the outset of the nineteenth century, Rodolphe Kreutzer and Pierre Rode each

Only after 1900 did this work become popular thanks to the young Pablo Casals among others, who frequently included it in his concert programs. Today it is unquestionably one of the favorite pieces among

Edited by Peter Jost. For violin & piano. Urtext Edition. Preface in Ger., Fr. and Eng. Contains an Urtext violin part, and a part marked by Augustin Hadelich. Also includes critical commentary. Score,

Without a doubt, Dvorak's melodious cello concerto numbers among the most popular of its kind. Written in the winter of 1894/95 while the composer was in America, the work underwent several revisions,

In contrast to the first cello sonata (HN 1357) composed four years earlier, this substantially more catchy and playful second sonata enjoyed great success with audiences and critics right from the start.

Of Beethoven's five cello sonatas, the Grande Sonate op. 69, published in 1809, is not only the centerpiece, but also musically the most significant. The artful coupling of the two instruments is on display

Edited by Egon Voss & Johannes Behr. Fingering by Klaus Schilde. With marked and unmarked cello parts by Claus Kanngiesser. Urtext Edition. Preface in Ger., Fr. ... view details

The two Sonatas op. 5 were written in 1796 expressly for the young Beethoven's performance with the cello virtuoso Jean Louis Duport at the Berlin court. That he wasn't eclipsed by the latter was ensured by

This single-movement sonata for cello and piano, Evgeny Kissin's Opus 2, evokes a sombre, melancholic ballad. The approximately ten-minute work from 2016 places high demands on both instrumentalists in its

 Two evergreens of the violin repertoire, with moderate technical demands, prepared using the first editions, and with fingering by the British violinist and Elgar scholar Rupert Marshall-Luck.