In 1771, in the midst of a successful tour of Italy, Mozart received a commission to write a dramatic serenata for the marriage of the Archduke Ferdinand. This serenata so overshadowed Hasse's new opera,
This volume contains authoritative Russian editions of three of Tchaikovsky's most popular orchestral works. The 1812 Overture, Op. 49, is among the best known and most beloved of all classical music
The Abduction from the Seraglio was the earliest of Mozart's five most famous operas, which include The Marriage of Figaro, Don Giovanni, Così Fan Tutte and The Magic Flute, and the first work he was
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Aïda is one of Verdi's greatest gifts to grand opera. It magnificently combines high drama, stage spectacle, and a musical score that is one of the glories of operatic writing. A great success from its
By the middle of the twentieth century, Umberto Giordano had established himself as a leading figure in the verismo (realistic) school of opera composition, rivaling Leoncavallo and Mascagni in importance.
One of the composer's most highly regarded operas, with a libretto by Hugo von Hoffmansthal that artfully intermingles backstage comedy, the lofty emotions of Greek mythology and the merry pranks of a
Among Bach's last instrumental compositions are two splendid works that reflect his genius for working complex contrapuntal figures into an expressive, apparently seamless musical texture. The Art of the
Il Barbiere di Siviglia is one of the very greatest of all comic operas. Verdi wrote of it: "For the abundance of true musical ideas, for its comic verve and the accuracy of its declamation, it is the most
The unusual harmonies and forms in the music of Frederick Delius (1862–1934) set the English composer's work apart from the main currents of musical influence. One of the most important figures in the
One of the greatest orchestral and opera composers of the late-nineteenth and twentieth centuries, Richard Strauss created brilliant tone poems such as Don Juan and Till Eulenspiegels Lustige Streiche that
Full of atmospheric suggestion and luminous tone-painting, Rimsky-Korsakov’s orchestration appears at its very best in the descriptive passages of these three concert favorites: Capriccio
When he first heard Carmen, Tchaikovsky enthusiastically predicted it would become the world's most popular opera. Wagner, too, was an admirer of this dramatic masterpiece, and Brahms claimed to
George Bernard Shaw once remarked that although there are many composers of music for the violin, there are only a few composers of violin music. But where Pablo de Sarasate (1844-1908) is concerned, Shaw
Incredible as it seems today, Bizet’s opera Carmen was coolly received at its 1875 premiere at the Paris Opéra-Comique; critics condemned its subject matter as lurid and its music as overly
Written in 1886 for a Mardi Gras celebration, Saint-Saëns' best-known work consists of 14 pieces scored for flute/piccolo, clarinet, glass harmonica (tuned glass bowls), xylophone, two pianos, and
Mascagni's first produced opera (1890), and ultimately his most successful, Cavalleria Rusticana is a tempestuous drama of adultery and revenge set in a remote Italian village. Its earthy passions,
A tour de force for any cellist, Elgar's magnificent Cello Concerto is performed more frequently than any other except that of Dvorák. Regarded as an elegy for a lost world, the Cello Concerto was
Arnold Schoenberg completed his Kammersymphonie, Op. 9, in July 1906, singling it out as a "true turning point" in his compositional style . . . "the last work of my first period that existed as a single
Composed for celebrations from Christmas to Epiphany and first produced in Leipzig in 1734–35, Bach's Christmas Oratorio unfolds movingly in a set of six cantatas unified by a single narrative
These popular clarinet concertos, both written in 1811, follow in the classical tradition of Mozart while showcasing the instrument's new technical possibilities. They arose from the fortunate introduction
Prokofiev's first symphony, which he mischievously dubbed "Classical," is a sprightly piece based on the symphonic models of Haydn. "I thought that if Haydn were alive today he would compose just as he did
Often called the last of the great classical composers, Brahms accommodated powerful romantic inclination to the demands of traditional musical form. The result is "a delightful mixture of classical form
Along with Bach's Brandenburg Concerti, Handel's twelve Concerti Grossi, Op. 6, are the crowning achievement of the Baroque concerto. Endlessly inventive in structure, rhythm, phrasing, and color, they
These masterful works by the baroque composer Arcangelo Corelli (1653–1713) are among the earliest created in the concerto grosso form. They radiate a vibrant lyricism and crisp dignity of style that