Breitkopf and Haertel Urtext Editions

Joachim Raff's celebrated first cello concerto is only gradually being rediscovered today. This is astounding, taking into account both the quality of the composition as well as its enthusiastic reception

Raff's Cello Sonata op. 183 appeared in print in late 1873; at a time when Raff's success was at its zenith with Symphonies Nos. 3 and 5 as well as many chamber works. Little is known about the

Edited by Eva Fox Gal & Anthony Fox. For cello & orchestra (piano reduction). Urtext Edition. Preface in Ger. and Eng. Orchestral material is available on rental from the publisher. Duration: ca.

Edited by Clive Brown.  For violin & orchestra (piano reduction).  Urtext Edition.  Preface in Ger. and

Edited by Tobias Gloecker.  For double bass & orchestra.  Urtext Edition.  Edition for double bass & piano by Christoph Sobanski.  Preface in Ger. and Eng.  This edition

Edited by Anna Pulkkis. For violin & piano. Urtext Edition based on Series IV, Vol. 6 of the Jean Sibelius Works complete edition. Introduction and Ger. and Eng. Score, 17 p. and part.

Exactly 300 years after Bach completed his unique cosmos of the Sei Solo a Violino senza Basso accompagnato, Kolja Lessing is presenting a collection, rich in discovery, of also 6 solo violin works inspired

Jean Sibelius composed far less music for the cello than for the violin. Malinconia (op. 20) – published in 1911 but composed in 1900 under the title Fantasia – remained his only opus-numbered

Edited by Nick Pfefferkorn. For cello & piano. Urtext Edition. Preface in Ger. and Eng. Duration: ca. 35'. Score, 46 p. and part.

Edited by Nick Pfefferkorn. For cello & piano. Urtext Edition based on the autograph score. Preface in Ger. and Eng. Includes an Urtext cello part and a part marked by Maria Kliegel. Score, 40 p.

Sonata No. 2 Op. 23 was composed around 1859 in Cologne. At that time, Franck was working as a teacher of music theory at the Cologne Conservatory. The 2nd violin sonata was published in print

Edited by Nick Pfefferkorn. For cello & piano. Urtext Edition based on the autograph score. Preface in Ger. and Eng. Includes an Urtext cello part and a part marked by Maria Kliegel. Score, 51 p.

The two sonatas of Johannes Brahms' op. 120 are widely hailed as crowning points of the repertoire for clarinet and piano. Moreover, in the version for viola and piano arranged by Brahms himself, they rank

Diverging from the classical-romantic tradition, Brahms used the key of E-flat major here not to express the heroic or monumental, but to obtain lyrical, chiefly restrained characterizations. The

Edited by Nick Pfefferkorn. For cello & piano. Urtext Edition. Preface in Ger. and Eng. Duration: ca. 30'. Score, 42 p. and part.