Only after 1900 did this work become popular thanks to the young Pablo Casals among others, who frequently included it in his concert programs. Today it is unquestionably one of the favorite pieces among
Capriccios and Exercises contain a multitude of fingering patterns in related major and minor harmonies, exercises for the thumb position, and many passages of double stops, all within a melodious
Edited by Larry R. Todd. For cello & piano. Urtext Edition. Preface in Ger. and Eng. Contains all of Mendelssohn's works for cello and piano. It also includes reconstructions or completions of
Edited by Larry R. Todd. For cello & piano. Urtext Edition. Preface in Ger. and Eng. Contains: Sonata, Op. 45 and Sonata, Op. 48. Includes facsimiles and critical
Edited by Larry R. Todd. For cello & piano. Urtext Edition. Preface in Ger. and Eng. Contains: Variationas Concertantes, Op. 17; Romance sans Paroles, Op. 109; Assai Tranquillo;
Edited by Eva Fox Gal & Anthony Fox. For cello & orchestra (piano reduction). Urtext Edition. Preface in Ger. and Eng. Orchestral material is available on rental from the publisher. Duration: ca.
Kol Nidrei numbers among Max Bruch's most famous compositions. The melancholy "Adagio after Hebrew melodies" was written in 1880 for the cellist Robert Hausmann. It sings two old Jewish songs using
Edited by Claus Kanngiesser, Rupert Marshall-Luck & Rolf Koenen. For cello & piano. Urtext Edition. Preface in Ger., Fr. ... view details
A scholarly critical performing edition of Bach's great solo cello suites. Includes: one music volume with a critical report; one text volume with information on manuscripts, genesis, and performance
Edited by Andrew Talle. For solo cello. Urtext Edition. Detailed preface in Ger. and Eng. This edition, based on volume 4 of the New Bach Edition (Revised), fundamentally reassesses the
Immediately after finishing his second Violin Sonata op. 108, Faure started work on a sonata for cello and piano in early 1917, thus realizing a long-conceived plan. In their predisposition and attitude,
Contents: Allegro moderato -- Poco Adagio quasi Andante -- Rondo. With an introduction and preface in English and German. Critical commentary. Beethoven composed this sonata in 1800 for hornist Giovanni
Edited by Nick Pfefferkorn. For cello & piano. Urtext Edition. Preface in Ger. and Eng. Duration: ca. 35'. Score, 46 p. and part.
Edited by Peter Jost. For cello & piano. Urtext Edition. This is the first Urtext-Critical edition of the work and offers cellists a chance to rediscover this composition. Preface in Ger., Fr. and
Edited by Nick Pfefferkorn. For cello & piano. Urtext Edition. Preface in Ger. and Eng. Duration: ca. 30'. Score, 42 p. and part.
Edited by Clive Brown, Neal Peres da Costa & Kate Bennett Wadsworth. For cello & piano. Urtext Edition. Preface in
Edited by Clive Brown, Neal Peres da Costa & Kate Bennett Wadsworth. For cello & piano. Urtext Edition. Contains