Library Urtext Editions

The composition 1.X.1905, generally referred to as a “sonata,” stems from the autumn of 1905, the peak of the riots between the Czech- and German-speaking populations in

Edited by Mario Aschauer. For piano. Urtext Edition, based on the autograph manuscript and the first edition. Preface and notes on performance practice in Ger. and End. Includes critical commentary. Score,

Edited by Laszlo Somfai. For piano. Urtext Edition. Preface in Ger., Fr. and Eng. With this first Bartok Urtext edition, Laszlo Somfai gives an insight into the many and varied musical impulses awaiting us

Edited by Joanna Cobb Biermann. For Piano. Preface in Ger., Fr. and Eng. Urtext Edition, based primarily on the first edition published in 1867. Includes critical commentary. Score, 5 p.

Chopin composed his melancholy “Barcarolle” op. 60 (1845–46) in the rare key of F-sharp major, perhaps to express his long period of dejection. The autograph engraver’s score for the

Following the critically acclaimed publication of the 35 Piano Sonatas in separate editions, Barenreiter now presents Beethoven’s Complete Piano Sonatas in three volumes. This edition, which is

Following the critically acclaimed publication of the 35 Piano Sonatas in separate editions, Barenreiter now presents Beethoven’s Complete Piano Sonatas in three volumes. This edition, which is

Following the critically acclaimed publication of the 35 Piano Sonatas in separate editions, Barenreiter now presents Beethoven’s Complete Piano Sonatas in three volumes. This edition, which is

Following the critically acclaimed publication of the 35 Piano Sonatas in separate editions, Barenreiter now presents Beethoven’s Complete Piano Sonatas in three volumes. This edition, which is

To mark the 150th anniversary of Debussy's birth in 2012, Henle presents a tribute to his piano solo works in three volumes, available in softcover and hardcover.  All of the previously published

With these three studies Bartók quite deliberately aimed to leave his mark on New Music in 1918. The first study is a kind of super-charged, motorically vehement Allegro barbaro, while the second,