Ahead of All Parting explores the emotions of life, death, and what lies beyond as told through the lush sounds of the harp and the dark, sonorous qualities of the mezzo-soprano and bassoon.
The first concerto of its kind, Cane tells a dramatic story of one bassoon reed's journey from its origins as raw, organic cane, to the final joy of playing on the finished reed. The colors
Cantilene Op. 59 for bassoon and piano by Eugene Jancourt (1815-1901). Jancourt's Cantilene is considered by some to be one of his loveliest works, offering the soloist ample opportunities
Desert Miniatures: Insects was commissioned by Trio Sonora: Robert BeDont, Travis Jones, and Martin VonKlompenberg. The piece reflects on my time living in Tucson, AZ and all of the different types
The first published work for bassoon by a woman dates to 1930: Ruth Crawford Seeger's Diaphonic Suite for bassoon and cello is a chromatic etude in duet form. In Diaphonic, Kyle Hovatter
For two of the principals of the Pittsburgh Symphony Orchestra, music director Manfred Honeck thought to spotlight them with a new work. The commission went to Leshnoff, who was happy to produce the
Flayed is a composer's equivalent of a free improvisation on a few motives. While the overall structure of the piece is a tidy A-B-A form, the individual phrases are often irregular or elided and
The Native American ghost dance is part of a religious ceremony for the regeneration of the earth and the restoration of the earth's caretakers to their former life. The religion experienced its fullest and
My intention in writing Impressions was to present to both the audience and the performers short and simple character pieces, each leaving very contrasting mental images of people, places, or
Though my training as a musician and a composer is firmly rooted in western art music, more specifically within an American collegiate environment, a lot of my inspiration and musical influences come from
Bold, dramatic, romantic, and technically exciting!