This seven-and-a-half-minute composition is restless and unbridled like a child who fusses and pouts when not wanting to be restrained. And it is optimistic like a child is naive, until the final warning

Described as "brilliant" and "heartfelt," this is the final movement of Craig Hella Johnson's epic work "Considering Matthew Shepard," a tribute to the young gay man who has become an American icon and a

An incredibly evocative setting of the Lord's Prayer in Aramaic - believed to be the original language in which the prayer was spoken by Jesus. The haunting tenor solo soars over the supportive and

Delicate, hushed, and suspenseful, this perfectly captures the expansive and meditative feeling of Whitman's poignant poetry. This is great for any sized choir, though the long lines, slow pace, and lush

"All we are we have found in song" is the first line of this stunningly beautiful poem by Euan Tait, set to music by Norwegian composer Kim Andre Arnesen.  This romantic notion is woven throughout

This fine edition is becoming a popular choice with festival a cappella choirs.

An iconic text and tune have been thoughtfully set by Shane Warby for the BYU Singers. A simple two-part opening eventually builds into a dynamic proclamation of "I can sing because I'm free!" A statement

This arrangement presents the challenge of singing a familiar lullaby with a freshness and a tender but well-supported tone. The contrasting middle section is intended to be dreamlike, with cascading images

With long sections of aleatoric sounds, a viola scordatura and a text filled with duality of imagery, this is an anthem for the advanced and adventurous choir. The viola (or cello) is not an accompaniment