This song cycle is, in part, a mediation on what it means to be a mortal being who exists in time. The first and last movements each present a different take on looking back, and the cycle moves backward in
Emily Dickinson's nature–inspired text has sparked the creativity of many song writers. This newly engraved 2020 version of Perera song cycle is available for mezzo-soprano with piano or with
William Carpenter's prose poem expresses the longing of a group of widows as they reunite with their husbands in memory. This musical setting for soprano and baritone duet with flute, viola, and piano
Richard Nickson wrote the texts for these three songs by Larry Allan Smith for tenor or soprano soloist and piano. These modern pieces resemble the songs of Benjamin Britten in their use of the voice,
A song cycle based on a set of seven poems created as a group by Boston imagist poet Amy Lowell. These poems effectively convey the grim sense of unease felt in a time of war or strife. While they never
Powerfully poignant and equally tender, My Dearest Ruth is a musical setting of the final love letter from Martin Ginsburg to his wife, the opera-loving Supreme Court Justice Ruth Bader Ginsburg,
Bells and Grass portrays five intimate scenes, in which small things come into focus and the world recedes: a nightingale’s song echoing from a nearby wall, the bright sun and the waves of
The title Propriety comes from an archaic use of that word, meaning the "peculiarity" or "essential quality" of a person or thing, and in the case of this song cycle that subject is classical music itself.