This is a perfect and light-hearted piece to include in your concert repertoire! It is mostly rung with malleted low bass and nicely-placed RTs which make this piece dance. The handbell transcription is
Johannes Brahms' gorgeous classical piano work has been faithfully transcribed for handbells. Full of opportunities for musicality, phrasing, and dynamic lines, this piece will be a welcome addition to your
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The lyrical melody is carried in the treble throughout, supported by chords in the mid-voices and a gently malleted bass pedal line. The few interspersed dynamics fit the musical line perfectly. The 5-7
One movement of the delightful musical suite "Le Carnaval des Animaux" (Carnival of the Animals), this piece was originally written for solo cello and two pianos. Arranged here for separate handchime
This faithful transcription weaves the textures and tones of handbells and handchimes carrying the melody with the support of the typical waltz accompaniment. The weaving of treble eighth-note passages in
Bronze-level groups will dig into this orchestral transcription which has tons of audience appeal! The use of many stopped techniques creates a stunning and realistic rendition of this march.
A setting of Handel’s Suite No. 7 in G minor, this handbell transcription is well crafted and a sheer delight to hear. Passacaille, the French term noted by Handel in the original score, is
Camille Saint-Saëns was a gifted musician, performer, and composer, writing more than 300 works for a variety of instruments. He did much to develop and solidly establish the French style of music in
Seven folk tunes of the time are compressed into this work, which is the second of two suites written for concert band by Gustav Holst. Each of these suites is unique in character and delightfully arranged
Seven folk tunes of the time are compressed into the complete work, which is the second of two suites written for concert band by Gustav Holst. Each of these suites is unique in character and delightfully
This high-spirited polka by Strauss may have been entitled "chit-chat" since the Viennese people of his time apparently had a passion for gossip! This delightful arrangement is filled with perfectly placed
Rachmaninoff's signature slow, achingly beautiful piece is transcribed here for handbells and handchimes (optional 5-7 octaves.) Transposed to C minor, note values have been doubled and scored on four