Jancourt's Reverie Op. 61 was composed in the early 1880s. He dedicated it to his friend and colleague Francois Villaufret (1833-1888), one of the original bassoonists in the Societe de musique de
The Romance et Tarentelle was composed in 1928 as a contest piece for the annual examinations at the Paris Conservatory that year. The Romance features an expressive solo line for the
For Bassoon and Piano, by Eugene Jancourt. Melodic work by the prolific bassoonist/composer/pedagogue Jancourt; great for introducing or strengthening familiarity with tenor clef as well as an effective
Winner of the 2023 Bassoon Chamber Music Composition Competition (BCMCC) Selected repertoire for the 2025 Meg Quigley Vivaldi Competition. Seas of the Moon is a suite inspired by four imaginatively
The Solo No. 2 in D, Op. 52 was originally published in 1887. The piece is cast in a modified ternary form. The opening section is in D minor and the composer employed a fourth relationship, for
The Sonata for Bassoon and Piano was composed in 2000 and is cast in three movements: Prologue, Elegy, and Riffs and Responses. The Sonata is for the most part a serious work that explores
The Sonatina for Bassoon and Piano was commissioned by Professor John Bivins, who taught bassoon at the University of Southern Mississippi. The work is cast in three movements and exploits the full
Flament composed cadenzas for the first and second movements of the Mozart Concerto in B-Flat major, K. 191. He included the slow movement cadenza as part of his Method for Bassoon, but
The Variations on Im tiefen Keller by Vaas consists of an introduction played by the accompaniment that leads to a brief cadenza for the bassoon. The soloist then states the 16-measure Theme. Eight