Choral Masterworks

A triumphant Mozart masterwork for today's choirs! This joyful opera finale opens and closes with a boisterous choral fanfare that features a brief, expressive vocal duet in the middle. The text is in

This edition of the well-known choral masterwork from Mozart's "Requiem," now available for mixed, TTBB, and SSAA voices, has become a standard for today's choirs. Patrick Liebergen has re-scored the

The melody has a simple innocence, but the harmony provides great warmth and subtlety in this touching love song by Clara Schumann arranged for choral ensembles. Set in a modified strophic form, the setting

Probably Faure's best-known and most frequently performed work next to his Requiem. The lovely melodic lines are over triplet figures in the accompaniment, which can be done on piano, harp, or with a small

Beginning with joyous acclamations, this exuberant piece features a polyphonic middle section followed by a lyrical presentation of the "amens" and the return of the homophonic style in the closing

G.F. Handel's iconic Hallelujah Chorus is an annual tradition for thousands of choirs around the world. Here is the standard version in all its glory for SATB choir with a piano or organ part

A standard in choral literature from Mendelssohn's cantata "Elijah." A must!

This classic piece composed in 1865 holds a cherished place in the choral repertory for concerts, festivals and services. Presented with an English singing translation in addition to the original French,

Although primarily known as an opera composer, Galuppi contributed a steady output of sacred music. In this edition, the original figured bass has been fully realized in the piano accompaniment, but the

This chorus from Brahms' "A German Requiem" is a perennial festive favorite and a standard work for better choirs in schools and churches. This edition offers the English text only and utilizes piano

This is one of Clara Schumann's settings of a Heine text set for choral voices in the original key of E-flat major. After the score opens with four full measures of introductory music, chromatic harmony is

This piece from Missa Abreviada, CPM 112, has been edited for choir with solo quartet and piano accompaniment. Beginning slowly, the piece moves into a spirited fugal setting of the traditional Latin

Brahms' best songs are small, priceless jewels. They are unusual, mysterious, inventive, bass heavy, uncomplicated, melodious, and they are glorious creations! Op. 63, No. 8 O wusst' ich doch den Weg

This favorite choral fugue from Bach's "Magnificat" is arranged here for only four parts with a playable piano accompaniment. This piece is a wonderful introduction to polyphonic texture, and the Latin text

Vivaldi's masterwork for solo voices, mixed chorus and keyboard reduction. This Walton edition includes extensive editorial notes on score revisions and Baroque performance practice. Orchestral parts are

A "fantasia" in the truest sense, this choral tapestry of English carols was composed in 1912 after Vaughan Williams had completed the scores for his first symphony ("The Sea") and the Tallis fantasia. In