Woodwind Trios

Piae Cantiones, published in 1582, is a collection of late medieval sacred and secular songs begging to be given performance, either as written, or perhaps in new settings. Three sacred tunes in

Published with multiple woodwind parts for each of the three voices plus piano. The piece begins with a rather traditional solo and then joined by an imitative second part. The piece continues in block

Originally written for use during the Lenten season. Three baroque dances from Bach (“Sarabande”), Handel (“Courante”), and Walond (“Siciliana”) are arranged for an

A woodwind trio for flutes and clarinet with opt. part for oboe, clarinet and alto sax. In a triple meter the piece begins in a lilting fashion. A lot of interesting counterpoint keeps the piece flowing

This is a straightforward yet beautiful arrangement of the famous tune.  It will require sensitive musicianship and good technique, but is such a fine piece, it practically plays itself.

A woodwind trio for flute, oboe and clarinet; unaccompanied. Like a stately march the introduction uses a motif gravitating through several harmonic changes giving way to  a modified thematic

Still, Still, Still is a gentle Christmas lullaby in a setting for oboe, clarinet, bassoon, and piano. The bassoon is given prominence for much of the work.

Three familiar hymn tunes are skillfully arranged for woodwind trio (flute, clarinet, and bassoon) or string trio (two violins and cello). Interweaving original material with the hymn tunes, these pieces