Church Choir Anthems for Rally Day

A delicate Lied sensitively set for two-part or three-part voices. The piano accompaniment is especially beautiful and appropriate for this masterwork from the Romantic era. Teaching opportunities abound to

This arrangement, based on the original autographed edition, introduces everyone to a little known classical gem by Michael Haydn, the younger brother of Joseph Haydn. With either piano or ensemble

Male voices take the leading role in this mixed-voice arrangement of the tender and well-loved solo piece attributed to Caccini and usually sung to Ave Maria. With long lines, a colorful

Every part has a chance to sing the simple melody in this flexible arrangement of the classic canon. Designed to be an a cappella selection, it also includes a piano part that is a real accompaniment, not

Adapted from a Bach cantata, this joyful work will allow two or three part ensembles the opportunity to experience Baroque music and develop important performance techniques for tone, style and expression.

This arrangement of the beautiful song from Richard Strauss' first collection of published lieder features well-written vocal parts with an authentic piano accompaniment. The piece supplies opportunities

Johannes Brahms’s Alto Rhapsody is published here in a new Urtext edition, modernized for present-day performance practice. It is based on the 2nd impression of the first printed edition, as

This authentically constructed arrangement of the Schubert masterwork features reasonable ranges and accessible reading for developing singers. Both German and English lyrics are included in the score of

Careful editing and research bring this beautiful, polyphonic choral piece back to the performance hall. Part of the American Romantic Choral Series, this will be a great addition to festival and collegiate

This piece originally appeared as part of the third movement of The Great War Symphony written to commemorate the centenary of the First World War.  The well-known words by Wilfred Owen are

Originally sung by a bass soloist in Handel's oratorio "Judas Maccabaeus," Arm, Arm Ye Brave is classic solo repertoire that has been skillfully adapted for tenor-bass choir. The arrangement

Composed in 1842 during Liszt's most active period of touring, the sweet tunefulness of the main melody contrasts with moments of solemnity and drama at other times. Plainchant is recalled in his frequent

A serene and devotional work to the Virgin Mary in polyphonic style.

Now available in a TTBB voicing, this authentic arrangement of the classic motet gives men's and mixed choirs the opportunity to perform this important piece by one of the most important composers of the

The Schubert masterpiece, skillfully arranged for developing choral groups, provides opportunities for solos or section features and allows conductors to work on healthy singing technique, beautiful

With Grieg's characteristic lyrical style and Romantic chromaticism, this unaccompanied work is written with mostly homophonic textures. Grieg's setting of this sacred Latin text occasionally divides into

Isabella Leonarda was one of the most prolific woman composers of 17th-century Italy, publishing 20 volumes during her lifetime including the first known sonatas written by a woman. This edition seeks to

The very energetic and joyful chorus from Handel's oratorio "Samson" has been carefully arranged to make this work accessible for SSA choirs. This work is sure to delight audiences and singers alike and

Stanford’s setting of this Latin text for six unaccompanied voices ventures into limited polyphony in a late Romantic, lyrical style. Piano reduction included.

This newly edited and re-engraved excerpt is from the Liszt's larger work Christus. This selection opens the second of three sections of the oratorio  which describes the life and ministry of Christ.