Now in a second edition, this a cappella setting of Agnus Dei from the major work "The World Beloved: A Bluegrass Mass" is rich with lush harmonies that breathe new life into an oft-set text. This work

This selection is a gentle lullaby based on an old Welsh folk song. With limited divisi towards the end, it has beautifully lyrical writing and will be a warm and welcome addition to any concert.

Through the single word "alleluia," this a cappella piece is excellent for groups looking to explore closer cluster harmonies, unification of vowels, and musical phrasing. Moderate vocal ranges and an

Through the single word "alleluia," this piece is excellent for groups looking to explore closer cluster harmonies, unification of vowels, and musical phrasing. Moderate vocal ranges and an optional descant

This joyful setting of the Alleluia was written for the 2020 Amabile Festival in London, Ontario, at which Sarah Quartel was the guest composer/clinician. The original scoring was of children's choir

The rich harmonies in this a cappella prayer are expressive and intimate. With carefully prepared dissonances and thoughtful voice leading throughout, it is well within the reach of many ensembles and is

This setting of Hildegard of Bingen's Ave Generosa text uses a hauntingly joyful tonality, paying homage to the mysterious story of Mary. A beautiful middle section is surrounded by contrasting

A plaintive unaccompanied setting that captures the essence of the "Ave maris stella" text, this work is a rewarding challenge for advanced ensembles.

Opening with a section of plainchant, this setting of the traditional Latin text most known in the Mozart or Byrd versions shimmers with modern a cappella harmonies. Cluster cadences and expressive vocal

Hildegard of Bingen's text on the virtues of love shimmers in this serene setting that serves as the second movement from "Illuminare." Opening with a section of treble divisi, the lower voices enter as the

A brilliant collaborative effort between long-time colleagues Tim Sharp, Executive Director of American Choral Directors Association, and highly-respected composer and arranger Wes Ramsay, Come Away to the

Originally set as movement VIII of the cantata Melodious Accord, this work uses the hymn tune Vernon from the Mennonite shape note hymnal Harmonia Sacra and text from four verses of

The first movement of the trilogy Divine Encounter is a song in which God invites us to receive His bounty. The first verse of Isaiah 55 is expressed as a celebration rather than the meditative,

This anthem of comfort and assurance is built around the words "do not be afraid." The repetition of these words evokes a sense of calm that permeates the piece. Beautifully crafted.

This choral anthem sets to music the moving words believed to have been inscribed on a wall in Germany during the Holocaust. The use of trumpet adds to the haunting nature of this setting which is both bold

Commissioned by the St. Olaf Festival in Trondheim, Norway, Even When He Is Silent masterfully expresses the sentiment of the text - hope in times of despair. Beautifully melodic, with rich

This solemn evening prayer lets singers and audience alike calm down at the end of the day. With the appeal for God's grace, the dynamics and intensity of the composition gradually increase, to return at