An enticing rarity in the vocal literature, 1861 is a 5-minute work for unaccompanied voice – a miniature monodrama, sung a cappella. Okoye's music and dramatic pacing are in tune with

For alto voice, viola & double bass. First printing. Score, 7 p.

A dynamic collection of 20th-century and standard English and American art songs for developing singers. Available for soprano, mezzo-soprano, tenor, and baritone, with unique repertoire for each voice

This song cycle for soprano or alto voice and piano is a setting of selections from Shakespeare's Hamlet. Each song uses a different text addressed to, spoken by, or describing the character Ophelia.

For alto, viola & piano.  One movement work.  Set of two scores, 31 p.

For alto & cello. Printed from manuscript. Commissioned by Ascher and Christoph von Erffa. Text by Gertrude Stein.

Joan Boytim has selected some of the easiest songs in English from The First Book of Solos series and transposed them for different voices, making them accessible to more students. Additionally,

For voice & piano. First printing. Text from "Alphabet" by Inger Christensen, translated from Danish by Hanns Groessel. Commissioned by the 10th International Competition "Franz Schubert und die

For contralto & piano. First printing. Poem by Amy Ray. For the Atlantic Chapter of the NAACP. Score, 4 p.

American composer Juliana Hall has written more than 50 song cycles and works of vocal chamber music for prestigious commissions and artists such as Dawn Upshaw and David Malis. This song cycle is based on

Originally conceived as a set, this collection of songs is based on the writings of Willa Cather and Carl Sandburg. The Sandberg texts are all excerpted from the poem Prairie and fill in the