Sacred Music for Brass

Here is a nice arrangement of John Newton’s classic hymn. The melody is direct enabling the listener to follow along while thinking of the well-known words. It will be a great trumpet selection for

This transcendent interpretation will leave you spellbound. The emotive power of the beloved hymn is skillfully brought out by the brilliant timbre of trumpets. Elevate your musical experience and let the

Beginning with a calm, reverent setting, these solos are expressive throughout. The middle section is somewhat freer in melodic presentation with the solo treated more as an obbligato line. The quiet ending

Here is a bright arrangement of this well-known hymn of the faith.  The piece will be appropriate for special music or as an offertory, especially during the Thanksgiving season.

This set of three hymns will appeal to trombone and piano players looking for something unique. With elements of revival style, blues, and 19th-century parlor song, these stylized pieces are deeply

Molly Ijames dramatically set this enduring hymn to excite and engage instrumentalists and congregations. Beginning with a sense of awe and wonder, this versatile selection gradually builds to a grand,

A majestic arrangement of an old Swedish Folk melody for Bb Trumpet and Piano. It works great for offertories, special music in a worship service, or for the joy of playing it in any situation where

Intermediate-level musicians will shine with these solos. Includes: To God Be the Glory; Be Thou My Vision; Marching to Zion; A Mighty Fortress Is Our God; The Solid Rock; Blessed Assurance; I Love to

Here are six simple arrangements of traditional hymns for young instrumentalists. Each book contains a piano part plus detachable solo and duet parts. Keys allow any combination of brass and woodwinds to

Traditional setting, slightly contemporary- begins with piano in a motif of the theme. The first section is a stylized rendition of the theme. Then, it continues in the chorus much the same.  A

Originally in a duple meter this arrangement very cleverly is in a  6-8 march style. It progresses in a rather processional manner and then transitions to a slower reflective expression. The piece

Originally in a duple meter this arrangement very cleverly is in a 6-8 march style. It progresses in a rather processional manner and then transitions to a slower reflective expression. The piece returns to

Originally in a duple meter this arrangement very cleverly is in a  6-8 march style. It progresses in a rather processional manner and then transitions to a slower reflective expression. The piece

This solo is in a march style throughout. It begins with little fanfare figures in the piano and then as it progress the soloist and piano exchange rolls. The second section is in a variation style while

This solo is in a march style throughout. It begins with little fanfare figures in the piano and then as it progress the soloist and piano exchange rolls. The second section is in a variation style while

Written in typical passacaglia (theme in the bass line) and Fugue fashion, the theme is presented in the piano.  The first variation is a gently modified tune in duple with the accompaniment in

After a majestic introduction the piece settles down into a softer and more expressive rendition of the tune "How Great Thou Art." The middle section is a variation of the first section with the melody in

After a majestic introduction the piece settles down into a softer and more expressive rendition of the tune "How Great Thou Art." The middle section is a variation of the first section with the melody in